Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents. The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes: Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762) Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinet Tune Book 1 and 2 (ED 21763, ED 21764): piano score of the method\'s performance pieces, with additional inserted clarinet part Daily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method Due to trilingual nature of all editions (German, English, French), they can be used universally. About the revision: The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity. The tune books contain all performance pieces from the Clarinet Method Op. 63 by Carl Baermann for clarinet and piano. Thanks to the revised editions, they are now available as scores with inserted solo part for the first time. Thus, the popular performance pieces and studies can also be used separately from the textbook ? as an addition to the repertoire of music lessons or simply as a collection of attractive performance pieces for pupils and advanced clarinettists. As with the two volumes of the Clarinet Method, the musical text of the tune books is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. / Éducatif / Recueil / Clarinette en Bb et Piano

Clarinet and Piano-Following the Henle edition of the Grand Concerto In F Minor Op. 5 (HN 1209) the series of Crusell’s Clarinet concertos has been expanded to include the one in B flat major op. 11. The Swedish composer washimself a prominent Clarinet virtuoso and the concertos were tailor-made for himself so to speak. Despite being technically very demanding the Concerto In B Flat Major avoids being overly virtuosic and wins usover with its melodic ingenuity. It is a very welcome addition to the early Romantic repertoire for the Clarinet. The clarinettist Nicolai Pfeffer edited the edition in an exemplary manner consulting the solesurviving source the first edition of 1829. Johannes Umbreit was responsible for the study score which wonderfully fits the hands.

transcription pour clarinette et piano-Claude Debussy's Deuxième Arabesque for Clarinet and Piano.

from the Violin Sonatina in D Major-Originally written for violin this has been transcribed for clarinet and piano by Eric Simon.

The clarinet compared with the flute oboe and bassoon is a modern instrument and therefore little or no music written before the time of Mozart exists for it. This is a misfortune for it means that a golden age of music which included Handel and Bach and a host of lesser but admirable composers has hitherto been a closed book to clarinetists.This delightful little work is a free arrangement of movements taken from two of Tartini?s sonatas for Violin arranged for Clarinet and String Orchestra by Gordon Jacob. This is the version for Clarinet with Piano Accompaniment. The solo clarinet part is also included on a separate insert.

KV 581-This arrangement by Derek Hyde is a reduction for B flat Clarinet and Piano accompaniment. The original full ensemble is one of Mozart's popular Quintet compositions.

Originall written for the clarinettist Heinrich Baermann this edition is based on the composer's manuscript. Breath marks and metronome numbers have been added by the editor.

'Klassik für Kinder' wants to introduce clarinet pupils to the beauty of Baroque, Classical and Romantic concert literature. Cautiously, not only original clarinet literature was taken up, but catchy tunes and themes from the opera (The Freeshooter, The Magic Flute and others) and the concert hall (Four Seasons, Capriccio Italy, Reverie and others) were used as well. The edition starts with a piece from the Renaissance period, followed by the great composers of the Baroque, European Classical and Romantic eras and completed by several discoveries off the common concert programmes (Blasius, Reinagel, Sullivan). Four centuries of music history which will make the pupils enjoy classical music. The pieces are presented in easy arrangements and can be mastered after about two years of tuition, with the three-line octave being left out. Contenu - V. Haussmann: Tanz und Nachtanz - M.A. Charpentier: Prélude from: Te Deum - H. Purcell: Trumpet Tune - A. Vivaldi: Allegro from: Autumn - G.P. Telemann: Largo - C. Graupner: Air - G.F. Händel: Bourrée from: Royal Firworks Music - Anonym: Menuett from: Notebook fro Anna Magdalena Bach - J. Haydn: St. Anthony Choral - W.A. Mozart: It rings out so joyful from: The Magic Flute - M.-F. Blasius: Grazioso - J. Reinagle: Allegro und Andante from: Sonatine G-Dur - L.v. Beethoven: German Dance - C. M.v. Weber: Through the woods, through the pastures from: Der Freischütz - F. Schubert: Entr’acte from: Rosamunde - F. Mendelssohn: Andante from: Symphony No. 4 (Italian) - R. Schumann: Rêverie from: Scenes from Childhood - J.F. Kranz: Valse lente - J. Strauss: Waltz No. 4 from: Echoes of the Rhine Loreley - P.I. Tschaikowsky: Capriccio Italien - A. Dvořak: Humoresque - A.Sullivan: Hornpipe from: Ruddigore - E. Grieg: Solveig's Song from: Peer Gynt Suite No. 2 - E. Humperdinck: Evening Pryer from: Hansel and Gretel - E. MacDowell: To a wild rose - A. Gretchaninoff: A dark day from: Brimborions - M. Ravel: Boléro editor: Warnecke, Ulrike illustration: Schuermann, Andreas piano setting: Birtel, Wolfgang

clarinet part in B flat-Along with Robert Schumann?s identically titled op. 73 the Fantasiestücke of 1864 by the Danish composer Niels Wilhelm Gade are an essential part of the repertoire of all clarinettists. Gade lived in Leipzig for a long time andhad been among Schumann?s close friends. With this deeply romantic composition he made an important contribution to establishing the clarinet as a chamber-music soloist. The four pieces in this collection can of course beperformed separately and are ideal teaching material. Our editor the clarinettist Nicolai Pfeffer has drawn upon the German and Danish first editions and the autograph in Copenhagen as sources and consequently has been able toeliminate several discrepancies found in older editions.

Ten classical pieces arranged for Clarinet with Piano accompaniment by Andrea Cappellari.

Clarinet and Piano-In this clarinet & piano reduction:Urtext solo clarinet partReconstructed basset-clarinet partPreface with suggestions for the embellishment of the first movement fermatas from an early 19th century sourceIn late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? and Orchestra K.622 known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler and the music follows the three-part structure of Allegro Adagio and a Rondo finale.This work was first published in 1801 and by no less than three publishers. It is one of the most important worksin the Clarinet repertoire and remains a popular work to the present date.Urtext of the New Mozart EditionFull score & performance material (BA4773) Clarinet in A & Piano reduction (BA4773-90) and study score format 22.5 x 16.5cm (TP254) available for saleClarinet in B-flat & Piano reduction (BA4773-38)Reconstructed version for Basset Clarinet and Orchestra full score (BA4773-01)

Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising

A Tchaikovsky Collection-This collection presents melodies from across the range and includes passages which clarinettists will find in Tchaikovsky's own orchestral clarinet parts. The pieces should be treated as duets for Clarinet and Piano with theplayers listening carefully to one another. Arranged by Thea King and Alan Frank. Includes score and part.

25 Pieces. This creative collection of easy pieces is intended to open up the wealth of Romantic music to clarinettists in the early stages of their development. This volume includes well known and popular themes by the great composers of this era. The book concludes with short studies by Friedrich Demnitz - a famous clarinettist of the period. The pieces selected here have been sensitively arranged for clarinet and piano, so that they are satisfying and enjoyable to play. They are suitable for studying in lessons, as well as repertoire for recitals and concerts. Of course they may also be enjoyed when played at home, along with the accompaniment tracks on the CD.