This gentle jazz-flavored setting of the famous Christina Rossetti text features rich harmonies legato lines and lush choral textures.Available separately: SATB a cappella. Performance Time: Approx. 3:00.

This is a choral arrangement of this popular song for SATB Choir with Piano Accompaniment and optional Guitar Bass and Drums. The lyrics and revised music to this song are by George David Weiss Hugo Peretti and Luigi Creatore. This version has been skillfully arranged by Jeff Funk.The optional drum part is also notated separately at the end of this score.

Moving in its simplicity and rich with choral color this stunning a cappella arrangement of the well-known spiritual is breathtaking in every measure. Commissioned for the 26th Annual Festival of Choirs in Gainesville Florida this is a must-have for any SATB choir.

Vocal score of Vivaldi's Gloria for soprano and alto soloists SATB choir and orchestra. Edited by Jasmin Cameron. A well-established piece in the modern choral repertoire Vivaldi's Gloria was like much of his music ignored from his death until relatively recently.

This rousing spiritual set for mixed or treble voices and piano will be a great concert closer. Commissioned by the North Carolina MEA for the 2005 Middle School Honor Choir this bold setting by Henry Leck and Martin Ellis willbecome a standard in concert choral repertoire. Performance Time: Approx. 4:30.Available separately: SATB and 3-Part Treble.

Orchestral Version-John McCabe's Psalm-Cantata (Orchestral Version). Vocal score for Soprano Baritone and SATB choir.This work was commissioned by the English Baroque Choir and their music director Jeremy Jackman who gave the first performance on 16th March 2013 at St. John’s SmithSquare London.'I’ve wanted to write a choral/instrumental piece based on texts from the Psalms for a very long time so this commission from the English Baroque Choir and their music director Jeremy Jackman (to whom the work is dedicated) was a wonderful opportunity to put this idea into practice. I decided to write a kind of latter-day equivalent to the Bachcantatas with two soloists (soprano and baritone). The texts are derived from a variety of Psalm sources: some in Latin some in English a meditation by Savonarola and a Henry Vaughan poem.' - John McCabe

This single from Mac Huff's choral revue Whole Lotta Faintin' Goin' On celebrates the best of the Beatles. Audiences and performers alike will love both the music and the exciting staging possibilities featuring the choreography of John Jacobson. Available: SATB SAB 2-Part ShowTrax CD. Performance Time: Approx. 10:50.

This immensely popular new worship song is put into choral form here by arranger Dennis Allen. While contemporary and rhythmic your singers will quickly learn this anthem of praise to God. Available separately: SATB ChoirTrax CD. Duration: ca. 5:10.

Phil Kern has used his superb arranging skills in this popular and moving African-American spiritual. The Percussion a vital part of the accompaniment joins an energetic Piano to create and support a wide range of vocal dynamics. The ending a cappella chord is stunning as it caps off this outstanding Choral work. This piece is for SATB Choir and Percussion (a Shaker and three Hand Drums) with Piano accompaniment.

John Tavener's The Martydom Of Saint Stephen for Solo Horn Double SATB Choir and Organ. Commissioned by the Metropolitan and Cathedral Chapter of St. Stephen’s Cathedral Vienna. First performed on 16thMarch 2015 at St Stephen’s Cathedral Vienna by the Cathedral Choir conducted by Markus Landerer. Vienna's iconic gothic cathedral is dedicated to the first Christian martyr and the Metropolitan and Chapter chosewith discrimination and imagination when they asked John Tavener to write this work setting the account of the stoning of St Stephen from the Acts of the Apostles. The choral writing is far from difficult and rich double-choireffects from staggered entries singing the same music creates an impressive sense of the numinous. Tavener fans will not be surprised that the composer suggests that extra male voices might be required. The virtuoso horn part marked 'ferocious - wild and violent' is directed to be played from a gallery and suggests the hail of stones and hatred directed at the saint. The organ mostly offers brief interjections and chordal support until the last 18bars a lullaby(?) for the saint who 'fell asleep in the Lord' as he was being stoned. John himself went to his final sleep not long after composing this majestic work: Eternal memory! - Organists' Review

With its sumptuous layered harmonies this beautiful choral arrangement of White Christmas is the ideal piece for choruses seeking an impressive centrepiece for their festive programme.Arranged by Christopher Hussey for SATB choir with piano accompaniment add some luxurious jazz inspired splendour to your seasonal repertoire this Christmas!

Dale Warland Choral Series-Matthew Culloton's Balulalow for Soprano soloist and SATB choir with Piano accompaniment. This text by the Wedderburns is best known from Benjamin Britten's timeless “ACeremony of Carols.” This setting serves as a “manger lullaby ” with the Soprano soloist representing Mary.

This outstanding collection of 90 carols offers a balanced mixture of accompanied and unaccompanied items which will appeal immediately to conductors singers and audiences alike. Mostly for mixed voices it includes 16 carols and a further 39 arrangements published here for the first time. From Gabrielli to Judith Weir medieval melodies to spirituals the range of styles covers a wide spectrum of tastes. Conductors will welcome the availability of optional orchestral material available on hire for 24 of the carols to allow for performances without organ. This major issue of carols is edited by William Llewellyn a well established figure in the world of choral music.