With CD-Some of the greatest melodies of Twentieth Century popular music are Latin American either in origin or in inspiration. The subtle and evocative rhythms of such forms as the Samba Bossa Nova Tango and Rumba are to be found in this collection of arrangements of Latin favourites all of which would make excellent concert material. Titles include Hernando's Hideaway; El Condor Pasa; Guaglione; La Cumparsita; Caramba; Nature Boy; What Are You Doing The Rest Of Your Life?; Feelings and I Could Have Danced All Night Easy to medium difficulty.

7 European Salon Pieces. In the 19th Century nationalist themes came into fashion. Composers drew on songs and dances from their native lands, working them into paraphrased adaptations, pot pourri arrangements and sets of variations or incorporating folk elements from various cultures in their compositions. Flautist Wilhelm Popp (1828-1902), who wrote music for his instrument at every level of difficulty, also took up this popular trend. In this collection seven of his ?easily playable? compositions have been chosen with musical links to different European countries. Here again Popp shows his ability to distil the essence from musical styles and fashions of his time, setting lyrical and virtuoso passages so well for the instrument that their effectiveness far outweighs any difficulties. The popularity of his pieces for tuition purposes, school concerts or youth music competitions remains undiminished to this day. This edition is essentially based on the first printed versions of these pieces ? with just a small number of printing errors and inconsistencies corrected without comment.

Riduzione per flauto e pianoforte - revisione di Ginevra Petrucci-Giulio Briccialdi (1818-1881) has been one of the major European flutists of the Nineteenth Century. Praised by coeval critics as ?the first among the living flutists? in a period when virtuosos were reaching extraordinary levels Briccialdi was a unique artist with a quintessentially Romantic personality. His refined activity as a composer is nowadays mostly known thanks to his paraphrases on operatic themes and to his didactic output but it is through his concertos ? a real cornerstone in the instrumental virtuosic repertoire of the 1800s ? that Briccialdi exploits the pinnacle of his opera-influenced style. Briccialdi?s concertos are intended for technically and stylisticallyadvanced performers.

Part of the Anglo Music Play-along Series Philip Sparke's 15 Easy Classical Solos is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument this book introduces the beginning player to the world of the classics by using simple yet attractive melodies that fit their limited range.The carefully selected pieces include music from the 16th to the 20th century and cover a wide variety of styles from Bach to Grieg and from Purcell to Satie.This book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Selected and edited by Paul Harris and Sally Adams and covering a broad selection of 19th century study repertory including Baermann Berr Demnitz and many others. This book contains exercises 55 to 76 with the earlier pieces to be found in Book one. The pieces are selected from the historical repertoire to present playing challenges and new techniques in a specific musical context arranged in progressive order of difficulty.

Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Flûte Traversière

Marais a 17th-Century composer and Bass Viol player wrote these variations for the specific purpose of having them transcribed for other instruments. The theme they were based on was very well-known at the time and is probablyof Portugese origin but has a 'typical Spanish flavour' - evoking the proud attitude and striking stage prescence of a Spanish dancer. These twenty four short variations vary widely in character though the interpretation of eachis left largely to the performer's judgement.

Composed for Emma Halnan winner of The Arts Club – Sir Karl Jenkins Music Award 2016. The composer comments that “for the first ten years of this century I lived and composed on the Gower Peninsula an area of sandy beaches and dramatic cliff scenery with coastal caves; the first area in the UK to be officially designated as one of outstanding natural beauty. Living in an old mill alongside the Bury Pill stream I wrote from a stable block enjoying a vista across Cheriton Valley and the river to Ryers Down. This work is a musical reflection of time spent there.”

Riduzione per flauto e pianoforte - revisione di Ginevra Petrucci-Giulio Briccialdi (1818-1881) has been one of the major European flutists of the Nineteenth Century. Praised by coeval critics as ?the first among the living flutists? in a period when virtuosos were reaching extraordinary levels Briccialdi was a unique artist with a quintessentially Romantic personality. His refined activity as a composer is nowadays mostly known thanks to his paraphrases on operatic themes and to his didactic output but it is through his concertos ? a real cornerstone in the instrumental virtuosic repertoire of the 1800s ? that Briccialdi exploits the pinnacle of his opera-influenced style. Briccialdi?s concertos are intended for technically and stylisticallyadvanced performers.

Compiled and arranged by Michael Karp-Sixteen pieces from the Classical era for the slightly unusual combination of Flute and Guitar arranged by Michael Karp. Includes pieces by Mozart Beethoven and Clementi. Separate Flute part.

Ten well-known songs in melody line arrangements with specially recorded backing tracks. On the CD: Hear full performance versions of the music on tracks 2 11. The flute part is then omitted from tracks12 21 so you can play along with the recorded accompaniments. In the Music Book are top line arrangements for all ten pieces plus a flute fingering guide.

The Boosey and Hawkes Bartók Edition showcases brand new stylish arrangements of highlights from the leading twentieth century composer for developing musicians standard to learn and enjoy. Duos and Trios for Flute features selected highlights from For Children, Mikrokosmos, Romanian Folk Dances, Romanian Christmas Carols and other works, imaginatively arranged for two or three flutes by Hywel Davies. The collection provides ideal flexible small ensemble material for teaching and performance. An accompanying audio CD features demonstration and minus-one tracks. / 2 Ou 3 Flûtes Traversières

14 Middle-Grade Duets From The Last Four Centuries. With so many young flautists in the musical world today it is only natural to pair them up and give them some wonderful duets to play. It's amazing what 'big” music, these two small instruments can cope with - indeed, in the eighteenth century the flute duet was almost the gramophone record of the time as countless operatic arias were brought to the public in arrangements for this pairing. This book draws on some of those miniaturizations, from Mozart's and Weber's operas, coupled with earlier music from Telemann and Boismortier and rounded off with more modern pieces from Richard Rodney Bennett and a (specially written) piece by Holzeis-Augustin which introduces some contemporary music techniques. All these duets are great fun and well within the reach of intermediate players. Intermediate-level compositions and arrangements of music from Telemann and Mozart to Richard Rodney Bennett Includes a lively composition by Maria Holzeis-Augustin All duets are suitable as concert pieces and for competitions/ Recueil / 2 Flûtes Traversières

This edition marks the relaunch of the series “ Flötenmusik ” with an attractive new publication: a charming collection of five works from the 19th century for flute and piano all by composers who were masters of Italian flute music. Two of these charming pieces are suitable for beginners two are of medium difficulty and the last work is more demanding in style and technique.This collection contains pieces which will complement any flute method but they are also attractive concert pieces in their own right. They offer an insight into the largely unknown but attractive world of Italian flute repertoire.

Mauro Giuliani was born in Bisceglie Italy in 1781. He was one of the most famous guitarists and composers in the early 19th century. In 1806 he settled in Vienna where he was celebrated as a virtuoso composer and teacher and stayed there until 1819. Via Venice and Rome he came to Naples where he spent the last five years of his life until he died on the 8th May 1829. From his vast oeuvre comprising about 220 works the two Duets for Flute or Violin and Guitar Op.25 and Op.85 are his key works from the genre that have been most played and recorded.This edition of the Grand Duo Concertant Op.85 for Flute or Violin and Guitar has been editedby Henner Eppel and Volker Höh.The solo flute (or violin) part is also included on a separate insert.