Partitions de Spartan Press

Six jazz/rock numbers for alto or tenor saxophone with piano or CD accompaniment. Includes useful improvisation sections. Grade: 1-4

A wonderful and sparkling collection of 22 classic melodies for Piano Solo with chord symbols. Each of these pieces are very familiar as they have featured in television advertising. Current favourites and older classics are all arranged here for easy Piano and are enjoyable to play hear and remember. Suitable for Pianists at Grades 1 - 3.

From the composer of the very popular Mega Fun Recorder - now comes Mega Fun Trumpet. Six original pieces for Trumpet and Piano in the mega fun style!

Ten More Tunes-Flying High is the second of two books for clarinet & piano by the very talented composer Edmund Jolliffe. Designed for beginner and early level clarinettists this album contains 10 highly diverse and descriptive pieces sure to delight young players.

Blue for Two contains 12 enjoyable and original jazz pieces for piano duet and is aimed at introducing different jazz styles to the pianist. From blues and ragtime to tango ballads and more these cool and fresh pieces are the perfect introduction into the world of jazz and will leave the pianist hungry for more! Blue for Two provides the student with cool and fun repertoire to play with friends teachers or family members and is a great supplement to the student's normal practice material.

10 Fugues For String Quartet Vol. 2. Par BACH JOHANN-SEBASTIAN. The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets', Op. 20. The spirit and influence of J.S. Bach, in particular his Well Tempered Clavier, Book II, courses through these three miraculous Haydn fugues. Like the viol consort, the string quartet suits this kind of composition (the fugue), with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments, so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content, telling you something about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations, there's little fugal writing for string quartet, at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire and ndash - lightness of sound and rhythmic fluidity, for example - will be very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces, mostly fast, bright and in major keys, show Bach at his most playful, funny and mischievous, composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues, written by my favourite composer - a violinist and violist himself, but above all a master / Classique / Date parution : 2018-05-04/ Répertoire / Quatuor à Cordes

transcribed for Viola and Piano. Par MARCY BEACH AMY. Three Pieces Op. 40 by Amy Beach , transcribed for Viola and Piano. / Date parution : 2018-05-04/ Répertoire / Alto et Piano

Par PLELEY IGNAZ. / Classique / Date parution : 2019-05-27/ Répertoire / 2 Altos

Un SATB et piano création de cette chanson magnifique, idéal pour une pièce de concert ou un compagnon pour les chansons folkloriques d'autres dans le catalogue. / Chant/Vocal/Choeur

For String Quartet Volume 1. Par BACH JOHANN-SEBASTIAN. The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets', Op. 20. The spirit and influence of J.S. Bach, in particular his Well Tempered Clavier, Book II, courses through these three miraculous Haydn fugues. Like the viol consort, the string quartet suits this kind of composition (the fugue), with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments, so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content, telling you something about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations, there's little fugal writing for string quartet, at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire and ndash - lightness of sound and rhythmic fluidity, for example - will be very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces, mostly fast, bright and in major keys, show Bach at his most playful, funny and mischievous, composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues, written by my favourite composer - a violinist and violist himself, but above all a / Classique / Date parution : 2018-05-04/ Répertoire / Quatuor à Cordes

Arrangeur: Mark Tanner. Par GLAZUNOV ALEXANDER. Alexander Glazunov Trois Miniatures Op.42 - No.1 arranged for Clarinet with Piano accompaniment by Mark Tanner. / Date parution : 2018-05-04/ Répertoire / Clarinette et Piano