Partitions de Schirmer pour Chorale SSAA

Rollo Dilworth Choral Series-Kevin A. Memley's The Time Of Roses for SSAA choir a cappella. This buoyant madrigal-like setting of the Thomas Hood text offers a wonderful opportunity for choirs to practice light andarticulate singing. There is wonderful contrast between the lively passages and lyrical legato sections.

Craig Hella Johnson Choral Series-Written for the Paideia Women's Chorus from the Paideia School in Atlanta Craig Hella Johnson sets the words of the poet-mystic Dorothy Walters. With four movements incorporating a variety ofmusical styles including a 3rd movement that uses aleatoric techniques for singers and pianist this is stunning and sophisticated set for a good high school or college women's chorus.

A rhythmic and lively anthem for SSAA Choir a cappella. There is a Piano part provided for rehearsal purposes.

Franz Schubert was an Austrian composer who was extremely prolific during his lifetime despite dying at 31 his output consists of over six hundred secular Vocal works (mainly Lieder) seven complete symphonies sacred music operas incidental music and a large body of chamber and Piano music. Schubert is ranked among the greatest composers of the late Classical era and early Romantic era and is one of the most frequently performed composers of the early nineteenth century.Schubert composed his ‘Mass No. 2 in G major’ in less than a week (March 2 to 7 1815). Kyrie the second of the 6 movements is arranged here byWilliam Hermann for SSAA choir and Piano accompaniment. Performance time of this piece is approximately 3:10.

Full Chorus Of Women's Voices-Arranged for full chorus of Women's voices (SSAA) a cappella with the original Portuguese words and music.

Albert Hay Malotte's The Lord's Prayer arranged by Keith Christopher for SSAA chorus a cappella.

Based on a cantillation melody collected by the composer's father in the 1920s this short work suggests ancient origins. The tonality reflects very little of the modes we often associate with oriental or Middle Eastern music. Themelismas are restrained and discreet and the prevailing atmosphere of the music is quietly loving pure and exalted.

Transient Glory Series-The composer writes: Set to a text by E.Y. Yip Harburg lyricist of the film The Wizard of Oz and the musical Finian's Rainbow this work looks forward to one sweet morning when out of the flags and the bones buried under theclover spring will bloom and _x001A_Peace will come. It is an exalted prayer for the future and when sung by young people who are the future has special meaning.

Dale Warland Choral Series-The American composer William Schuman (1910-1992) wrote works in virtually every musical genre each mirroring his strong personality in their sharply defined sense of structure line and dynamism. This short wordlesscomposition for women's chorus and Piano dates from 1942 and was written for the Sarah Lawrence Chorus.

Jameson Marvin through his work with Harvard and Radcliffe has re-established the importance of teaching polyphony in the modern choral classroom. This beautiful setting of the Magnificat byPalestrina has been edited by Dr. Marvin to accommodate modern notation clefs and measure lines. He also maintains rhythmic groupings enabling the singers to move beyond the tyranny of the bar line and bring a beautifuland authentic performance to the stage.