Partitions de Dover Publications

Par . Beginning pianists of all ages will cherish this excellent compilation of beloved piano classics. Each piece has been carefully selected and simplified to help students develop their skills. The special arrangements also offernovices the pleasure and satisfaction of playing music that's usually beyond their grasp. Some of the master composers are represented by several pieces each: nine works by Bach include Jesu, Joy of Man's Desiring; Mozart'sRondo alla Turca appears along with eight other selections from his oeuvre; seven by Chopin include Funeral March; the 'Emperor' Concerto, Ode to Joy, and 'Für Elise' are among the eight Beethoven features; and eight byTchaikovskyinclude Dance of the Sugar Plum Fairy from The Nutcracker. Other well-known pieces include Hungarian Rhapsody No. 2 by Liszt, Brahms' 'Lullaby,' Morning Mood by Grieg, Haydn's 'Surprise' Symphony, plus compositions by Schubert,Verdi, Debussy, Handel, Mendelssohn, and others. Reprinted from authoritative editions. / Niveau : Facile / Date parution : 2022-02-26/ Recueil / Piano

for Pianoforte Solo-Mis à jour le 18.01.19 Alexander Scriabine The Complete Preludes And Etudes Partition - Piano Dover Référence: DP10406 PIANO and CLAVIERS > Piano > Répertoire 15.99 ' EN STOCK 4 PRÉLUDES OP. 22 - 2 préludes op. 27 - 3 etudes op. 65 4 PRÉLUDES OP. 31 - 4 préludes op. 33 3 PRÉLUDES OP. 35 - 4 préludes op. 37 4 PRÉLUDES OP. 39 - 4 préludes op. 48 2 PRÉLUDES OP. 67 - 5 préludes op. 74 24 PRÉLUDES OP. 11 - 6 préludes op. 13 5 PRÉLUDES OP. 15 - 7 préludes op. 17 12 ETUDES OP. 8 - 8 etudes op. 42

In Full Score. Par DVORAK ANTONIN. This new Dover edition presents both the symphonic masterpieces Nos. 8 and 9. Among the most popular works in the orchestral repertoire they are reprinted here from authoritative editions in one inexpensive, practical volume. This new Dover edition presents both the symphonic masterpieces Nos. 8 and 9. Among the most popular works in the orchestral repertoire they are reprinted here from authoritative editions in one inexpensive, practical volume./ Répertoire / Orchestre

Ed. Maitland-Squire, Rev. Dover Edition. The most remarkable, and in many respects the most valuable collection of Elizabethan keyboard music. ' - Grove's Dictionary of Music and Musicians. Volume Two of the famous early 17th century collection of keyboard music features 300 airs, variations, fantasies, toccatas, pavanes, and more by Morley, Byrd, Bull, Gibbons, and others. Modern notation. Reprint of the Breitkopf & Härtel edition. 'The most remarkable, and in many respects the most valuable collection of Elizabethan keyboard music' (Grove's Dictionary of Music and Musicians). The close to 300 airs, variations, fantasies, toccatas, pavanes, galliards, allemandes and courantes in these two volumes include some of the finest examples of Elizabethan and Jacobean Music: Morley, Gibbons, Farnaby, Warrock, Ferdinando Richardson, Peter Phillips, Tomkins and practically every other composer of the virginalistic school. John Bull and William Byrd, two of England's greatest composers are represented by over 100 works. The pieces herein, while composed for the virginal, can be played without difficulty on thepiano or any other keyboard instrument. Maitland and Squire set the music into modern notation, preserving faithfully the intent of the composers./ Recueil / Piano

The Polyphonic Vocal Style of the Sixteenth Century. Par JEPPESEN KNUD. This classic introductory text focuses on the polyphonic vocal style perfected by Palestrina. Unlike many other texts, it maintains a careful balance between theoretical and practical problems, between historical and systematic methodology. The result is an exceptionally useful resource, ideal for classroom use in teaching modal counterpoint. Unabridged Dover (1992) republication of the edition published by Prentice Hall, Inc. New York, 1939. Translated by Glen Haydon. New foreword by Alfred Mann. Knud Jeppesen. The Polyphonic vocal style of the Sixteenth Century./ Livre / Livre Musical

Full Score. Par BERLIOZ HECTOR. Hector Berlioz (1803–1869), considered the father of modern orchestration, possessed an intuitive musical genius all the more remarkable for his limited formal musical education. A brilliant colorist, a master of the unexpected rhythmic break, he brought a new symphonic richness to Romantic music. Both damned and venerated by his contemporaries — Mendelssohn considered him devoid of talent, Paganini declared him the one true heir to the spirit of Beethoven — Berlioz seems to have sought in music a way to soothe and give voice to the turbulent psychological instabilities and contradictions of what has come to be called 'program music' — i. e. , instrumental music with an extramusical significance. He strove to communicate musically the experiences, psychological themes, scenic description, and literary allusions more commonly associated with the confessional writings of Romantic poets. This Dover edition presents two of the greatest of these 'program' pieces: the Symphonie Fantastique (1830) and Harold in Italy (1834). Here are the full scores of both major symphonic works — painstakingly reproduced from the authoritative Breitkopf & Härtel edition, available for the first time in one convenient volume — plus Berlioz's 'program' for the Symphonie Fantastique. Musicians and music lovers everywhere will value this high-quality, inexpensive edition — ideal for study and performance. Reprint of Nos. 1 and 3 of Serie I, Symphonien (1900), of Werke von Hector Berlioz, Breitkopf and Härtel, Leipzig, 1900–1910. Breitkopf & Hartel edition./ Répertoire / Orchestre

'Mozart est le soleil', fait remarquer Antonín Dvorák, et la plupart des auditeurs seraient d'accord. Cette nouvelle compilation rassemble six sonates les plus connues, inventive, et mélodieuse de Mozart, tous les affichage du solde de la conception, le lyrisme, et le drame pour lequel le compositeur est bien connu.Au sommaire: Sonate n o 8 en la mineur (K310), Sonate n o 10 en ut majeur (K330), Sonate n o 11 en la majeur (K331), Sonate n o 12 en fa majeur (K332), Sonata #14 en ut mineur (K457), Sonate n o 16 en ut majeur (K545). Editions faisant autorité. Dover originale. / Piano

Published from 1883 to 1957, The Etude Music Magazine read like a diary of the emerging American musical community. During this period, it featured a series of Master-Lessons by noted piano virtuosi. Originally intended to provide world-class teaching to a public that otherwise could not afford such lessons, the series became a valuable record of professional performance practice, offering a rare and unique glimpse of piano teaching in the first decades of the century. Among the chapters in this collection are master-lessons on Paderewski's Minuet in G, Chopin's Military Polonaise, Grieg's Norwegian Bridal Procession, Mendelssohn's Scherzo, and Beethoven's Pathétique Sonata. Authors include such piano masters as Wilhelm Bachaus, Percy Grainger, Edwin Hughes, and Mark Hambourg. Compiled in a format that preserves its original layout and style, this collection is indispensable to piano teachers and students and of the greatest interest to the growing number of piano literature and performance practice classes taught at the university level.

A Facsimile Edition of the Autographs-Only about a tenth of Mozarts works were printed during his lifetime the rest having been published without the benefit of his supervision. This long-awaited edition of the autograph score offers a rare opportunity to see Mozarts violin concertosaccording to the composers intentions. Thanks to the well-preserved condition of the original manuscripts and Mozarts legible handwriting these reproductions of his scores can be used for study reference and performance. In addition to the fiveworks Concerto No. 1 in B Flat K. 207; Concerto No. 2 in D K. 211; Concerto No. 3 in G K. 216; Concerto No. 4 in D K. 218; and Concerto No. 5 in A K. 219 the volume includes two additional pieces the Adagio in E K. 261 and the Rondo in BFlat K. 261a. The first edition of this volume was published in a limited edition in 1986 and has been virtually unobtainable for many years. Two informative introductory essays by violinist Gabriel Banat who located the manuscripts missing sinceWorld War II supplement the collection: the first one traces Mozarts relationship with the violin and the other examines the history and importance of these manuscripts thought to have been forever lost. This outstanding edition offers teachers violinists conductors musicologists and Mozart enthusiasts an extraordinary chance to possess a score reproduced from the masters own hand.

The third volume in this series for pianists ages 4 to 9, this book contains more songs in the already familiar key of G. New topics include the key of F and extended hand positions with six-note melodies, plus the IV chord in all keys, dotted rhythms, dynamics, staccato and legato touches, and two-note and longer phrases. Heartwarming Family Circus cartoons appear throughout the book. Of all the piano instruction books and courses out there, yours is the best by far, because it combines theory, fun, a wonderful variety of songs, and of course, the 5-point learning plan. Thank you for providing such a fantastic piano course for children! ? Beverly Short, Santa Monica, California You?ve really found a wonderful way of making music fun for children with your songs. The songs are infused with spirit, so it makes learning truly enjoyable for students. ? Monica Le, Fullerton, California I love these books because they work! I have been using them for many years with children 4 years old and up. The big notes make note learning easy and the directions for teachers are clear and methodical. My students and their parents are excited as they graduate from one level to the next. These books truly teach little fingers to play! Thank you, Ann Patrick Green! ? Carol Orozco, Fullerton, California I use Ann Patrick Green's books with every student. The larger note size, the use of solfege note reading, the inclusion of theory and the way each book is organized makes teaching and learning easy and fun. ? Lisa Smith, piano teacher