Johannes Brahms : Sonata for Piano and Violin in G Major, Op. 78 (Piano / Violin)

With opuses 1 2 4 5 and 10 this volume contains virtually all of Johannes Brahms??? early piano oeuvre with which the budding composer and pianist introduced himself to the public. The Scherzo op. 4 from 1851 stands alongside the sonatas composed between 1851???53 as a substantial single movement that particularly delighted Robert Schumann leading him to direct the public???s special attention to his young colleague in his famous article ???New Paths??? in 1853. Written the following year the Four Ballades op. 10 complete the volume. Already they strike a new more Romantic note that Brahms described to Clara Schumann thus: ???They are not very difficult and even less difficult tounderstand???. This Urtext edition offers a revision of the musical text based on the new Brahms Complete Edition with an extensive preface by editor Katrin Eich. With opuses 1 2 4 5 and 10 this volume contains virtually all of Johannes Brahms??? early piano oeuvre with which the budding composer and pianist introduced himself to the public. The Scherzo op. 4 from 1851 stands alongside the sonatas composed between 1851???53 as a substantial single movement that particularly delighted Robert Schumann leading him to direct the public???s special attention to his young colleague in his famous article ???New Paths??? in 1853. Written the following year the Four Ballades op. 10 complete the volume. Already they strike a new more Romantic note that Brahms described to Clara Schumann thus: ???They are not very difficult and even less difficult tounderstand???. This Urtext edition offers a revision of the musical text based on the new Brahms Complete Edition with an extensive preface by editor Katrin Eich.

revised single edition from HN 38-Johannes Brahms?s piano sonatas opp. 1 2 and 5 were among the first works that the then 20-year-old composer published. Much of the music of the f-minor Sonata is closely connected to Brahms?s visit to Robert and Clara Schumannin Düsseldorf in the autumn of 1853. There are indications that the young Brahms was inspired by Robert Schumann?s Sonata op. 14 which was also in f minor. The music critic Eduard Hanslick also believed that he could discern theinfluence of Brahms?s older colleague when he wrote about the Sonata op. 5: ?The whole of Brahms is here though still under the spell of Schumann?. This revised Urtext edition is based on the musical text of the New BrahmsComplete Edition. The fingerings are by Andreas Boyde and offer the performer highly ingenious solutions to mastering this piano work that is so symphonic in scope.

A pioneering set of Urtext editions.String editions include an Urtext solo part and a second part with fingering as well as performance markings.Each edition offers a preface on performance practice aspects pertaining to the respective works.A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms? chamber music.Bärenreiter?s pioneering new scholarly-critical editions of Brahms? works for one instrument and Piano are edited by a team of musicologists who are also performers. They offertoday?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim?s pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms? associate Franz Kneisel. A similar approach has been used for the Violoncello sonatas drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major) Hugo Becker with whom Brahms performed it and Julius Klengel who was also close to his circle.

Brahms composed his ?Violin Sonata In A Major? during the summer of 1886. The work quickly became part of the standard repertoire and has remained so until today. It is presented here in a fine Bärenreiter Urtext edition and comes with an unmarked Urtext part as well as a second part marked with fingering and bowing by Clive Brown which are based on the practices of Brahms? contemporaries.An important part of this edition is the extensive preface. Firstly it informs about the works? origins its compositional process pre-publication performances its publication history as well as early reception. Truly remarkable is theunique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.A pioneering Urtext edition.With an unmarked Urtext part.With a second part including fingering and bowing based on the practices of Joseph Joachim and other contemporaries of Brahms.With an extensive Performance Practice Commentary.For further information on Romantic performance practice we recommend: ?Performance Practices in Johannes Brahms? Chamber Music? text booklet BA 9600.

Johannes Brahms' Sonata Movement (Sonatensatz 1853) arranged for Cello and Piano by Watson Forbes.

26 Arrangements for the Beginning Pianist-Suitable for beginning pianists of all ages this volume features 26 simplified versions of longer pieces by the great Johannes Brahms in order of increasing difficulty.Selections include the famous 'Lullaby' as well as the theme from 'Academic Festival Overture' and 'Hungarian Dance No.5'. Additional melodies include themes from the composer's quintet and concertos for Piano 'Variations on a theme by Haydn ' and other pieces.

Op. 120 No 1 in F-minor-Brahms' Sonata For Clarinet and Piano Op. 120 No. 1 In F Minor. Dowani 3 tempi play along with 2CDs containing full performance and backing track versions.

Composed at the start of his career in 1852-3 Johannes Brahms' Piano Sonatas were amongst the 20-year-old composer's first publications. It is the slow movement of the Piano Sonata In C Major Op.1 which uses the song 'Verstohlen geht der Mond auf' that bears the earliest date April 1852.With this passionate and highly virtuosic Sonata Brahms introduced himself to the great of the musical world of his day including the Schumanns in Düsseldorf. Clara Schumann wrote afterwards that '... the whole is full of exuberant fantasy intimacy of expression and mastery of form'.Brahms' Op. 1 now appears in a separateHenle Urtext edition revised using the musical text of the Brahms Complete Edition. The sonatas Op. 2 and Op. 5 will follow.

Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the cello part and the composer himself was his partner at the piano. Even though the work was generally received positively, it took some years until it was fully appreciated and gained its irrevocable place in the cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata op. 99 by Hugo Becker and Carl Friedberg, as well as by Julius Klengel. Both cellists, Becker and Klengel, had a connection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such, the Barenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Violoncelle Et Piano

Johannes Brahms an uncompromising perfectionist was one of the leading composers of his time. His popularity and influence were considerable and his music is firmly rooted in the structures and compositional techniques of the Baroque and Classical masters. Johannes Brahms: Violin Sonatas (Complete) contains expertly arranged sheet music for Violin and Piano. Including Violin Sonatas Op.78 100 and 108.

La Sonate opus 5 est le dernier volume dans trois sonates pour piano le nouveau, centenaire Wiener Urtext édition de Johannes Brahms. Il suit les mêmes normes de rédactionnelles que les éditions des précédentes deux sonates, opus 1 et 2 de l'Opus. Les notes de rendement contiennent des renseignements précieux sur jouant de la technique, pédaler, tempi et solutions proposées aux passages problématiques. / Piano / Partition

Le chef d'orchestre de l'Orchestre du Gewandhaus de Leipzig depuis plusieurs années, Carl Reinecke était une des figures plus importantes parmi les musiciens dans la seconde moitié du XIXe siècle. Ses trois sonates pour violoncelle et piano sont de qualité musicale étonnante qui les place à droite jusqu'à avec des sonates de Johannes Brahms. Cependant, c'est autant plus étonnante, qu'une édition urtext remarquable de ces oeuvres n'existait pas jusqu'à présent - violoncellistes a souvent eu à se replier sur les copies des premières éditions seulement quelques-uns qui étaient existantes. Cette lacune est désormais fermée par la Wiener Urtext édition - droit à temps pour le 100e anniversaire de la mort du compositeur. Il englobe tous les trois sonates en un seul volume, ajoutant ainsi trois chefs-d'oeuvre de la musique de chambre romantique à l'inférieur à un répertoire exhaustif du XIXe siècle pour violoncelle et piano. / Violoncelle Et Piano

Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 71-74 and BWV 1036 but also the arrangements of the trios Wq 143-145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a - previously ignored - early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin]. / Violon Et Harpe (Ou Piano)

Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 71-74 and BWV 1036 but also the arrangements of the trios Wq 143-145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a - previously ignored - early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin]. / Violon Et Piano