In Session - Guitar Recorded Version

50th Anniversary Edition-Love Me Do was the first single to be released by The Beatles on October 5 1962 backed with PS I Love You on EMI?s Parlophone label. Though historically important as the début record by the world?s greatest ever pop group it was by no stretch of the imagination a portent of what was to come reaching only as high as number 17 in the Record Retailer?s Top 50 charts on December 27. When Beatlemania exploded in the US however it became their fourth No. 1 there in May 1964.Curiously the song was recorded by The Beatles on three separate occasions with three different percussionists; firstly on June 6 1962 atan EMI session with original drummer Pete Best; secondly on September 4 with the newly-recruited Ringo Starr; and finally on September 11 with session drummer Andy White.For reasons that have never been fully explained it was the version featuring Ringo that appeared on all UK single releases of Love Me Do up until its original deletion in 1968. The Beatles? 1963 debut album Please Please Me however featured the Andy White recording which became the American hit in 1964 and other worldwide territories.?When re-issued in 1976 EMI (UK) used the White take because the original Ringo master had gone AWOL. The 20th anniversary 12? single in 1982 contained both versions but the ?Ringo version? had to be dubbed from the original single supplied by a Beatles collector and all issues since have come from the same source. The Pete Best version was made available on Anthology 1.Love Me Do was largely a McCartney composition written in the 1958 with Lennon contributing the bridge in 1962. 'Love Me Do was our greatest philosophical song ? said Paul in 1972 possibly tongue in cheek. ?During the recordings all I can remember is being terrified out of my wits and quaking in my boots. I can still hear it on my vocal.'

Countless musicians have been inspired upon hearing Charlie Christian for the first time. In this exciting book the author has compiled 39 precise solo transcriptions (in notation only) as well as a thorough analysisof each. There is also a complete 'how to' section that is a book in itself. The author has recorded each transcription in slow and fast versions. The book contains some of Charlie's best work including the Jam Sessions atMinton's John Hammond's Spirituals to Swing concert and the Celestial Express Blue Note Recordings.Charlie Christian was the first to popularise the use of the electric Guitar in jazz. He was the pioneer who ledthe way. Includes access to online audio.

Forty-Four Classic Solos by the Legendary Guitarist with a Complete Analysis. Par AYEROFF STAN. The solos of Django Reinhardt are an endless source of inspiration and amazement for any musician. In this exciting book, the author has compiled precise solo transcriptions (in notation only), as well as a thorough analysis of each. There is also a complete 'how to' section that is like a book in itself. This book contains some of Django's best work. It covers a period of 17 years, from Django's first trio and quintet recordings to one of his last bop-influenced sessions, 'Live at the Club St. Germain.' Multiple versions of many solos are included to show Djangos' musical development over his long career. Studying the music of the master of Gypsy Jazz can help lay a solid foundation for your own sound and style. / Niveau : Intermédiaire à Avancé / Jazz - Transcribed Solos / Recueil / Guitare Flatpick et Plectre

Par LIEBMAN DAVID. Each volume of this unique jazz improvisation method includes: State of the art recordings (multi-track digital), recorded in the excellent Bauer Studios, where many of the productions for the record label ECM have been done, and in the Skyline Studios in New York City. Each set contains six complete performances, including opening and closing theme statements, improvised solos and six play-along tracks which feature the rhythm section without soloist. Many performances use the original arrangements from classic jazz recordings (So What, Equinox, A Night In Tunisia, 'Round Midnight, Con Alma, Webb City, Joshua etc.). Because the complete performances were approached as in a professional recording session the play-along versions sound fresh and spontaneous, with much interaction between the rhythm section instruments and the soloists. Piano and bass are clearly separated. Book with helpful commentary and analysis of each recorded performance in English, français and deutsch. Transcribed solos: Each book contains at least one complete solo transcription, many excerpts from other solos (piano and bass solos as well as horn and guitar solos are included) plus appropriate chord/scale information, including modes of the major, harmonic minor, melodic minor and symmetrical scales. Individual instrumental parts in C, B flat, E flat and bass clef: The detachable instrumental parts are extremely practical for both classroom and professional use. Completely notated piano and bass parts: Volume 1, 2, 5, 6, 7 and 8 contain detachable piano (or guitar) and bass parts for all six compositions, volume 3 on 3 tunes (A Night In Tunisia, 'Round Midnight and Embraceable You). Transcribed excerpts from piano and bass accompaniments: Excerpts from piano and bass accompaniments have been selected in order to illustrate the most important techniques for developing accompaniments on these instruments. This includes piano chord voicings, harmonic substitution and embellishment, developing bass lines, interaction with other instruments, etc./ Recueil / Tout Instrument