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Vous avez sélectionné:
France Gall
SheetMusicPlus
Partitions à imprimer
56 partitions trouvées
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Comme D'habitude
Comme D'habitude
#
Piano Facile
#
DÉBUTANT
#
Claude Francois, Jacques Revau
#
J
#
Comme D'habitude
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Jhavilah
#
SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1272977 Composed by Claude Francois, Jacques Revaux, and Lucien Thibaut. Arranged by J.F.A. Multicultural,Pop,Singer/Song...
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Piano Solo - Level 1 - SKU: A0.1272977 Composed by Claude Francois, Jacques Revaux, and Lucien Thibaut. Arranged by J.F.A. Multicultural,Pop,Singer/Songwriter,Standards,Traditional,World. Score. 5 pages. Jhavilah #865165. Published by Jhavilah (A0.1272977). Comme d'Habitude is a French song composed in 1967 by Jacques Revaux, with lyrics by Claude François and Gilles Thibaut. The song is about routine in a relationship falling out of love. Here are some more details about the song:The song was originally written as a ballad named For Me with English lyrics about a couple falling out of love. The demo was then sent to Petula Clark, Dalida, and Claude François, but it was rejected. Jacques Revaux rejected a version by Hervé Villard and reworked the track into Comme d'Habitude with the help of Claude François. François accepted but asked that an underlying theme of a couple in a strained relationship be included, in reference to his recent breakup with fellow French singer France Gall. With some rewriting from Gilles Thibaut, the song became Comme d'habitude in its best-known version in French, which was released by Claude François in 1968. The song became a hit in France and was later covered by many artists, including Frank Sinatra, who released it as My Way with English lyrics by Paul Anka. Comme d'Habitude has become a classic French song and has been covered by many artists in French and other languages. Overall, Comme d'Habitude is a classic French song that has become a beloved standard in the world of pop music. It showcases the songwriting talents of Jacques Revaux, Claude François, and Gilles Thibaut, as well as the emotional depth and resonance of the song's themes. The song has been covered by several artists and has become a timeless classic that continues to be celebrated by music lovers around the world.
$4.99 ≈
4.69€
Comme D'habitude
Comme D'habitude
#
Piano Facile
#
DÉBUTANT
#
Claude Francois, Jacques Revau
#
F
#
Comme D'habitude
#
Jhavilah
#
SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1272919 Composed by Claude Francois, Jacques Revaux, and Lucien Thibaut. Arranged by F.J. Film/TV,Multicultural,Singer/So...
(+)
Piano Solo - Level 1 - SKU: A0.1272919 Composed by Claude Francois, Jacques Revaux, and Lucien Thibaut. Arranged by F.J. Film/TV,Multicultural,Singer/Songwriter,Standards,Traditional,World. Score. 5 pages. Jhavilah #865102. Published by Jhavilah (A0.1272919). Comme d'habitude is a French song composed in 1967 by Jacques Revaux, with lyrics by Claude François and Gilles Thibaut. The song is about routine in a relationship falling out of love. Here are some more details about the song: The song was originally written as a ballad named For Me with English lyrics about a couple falling out of love. The demo was then sent to Petula Clark, Dalida, and Claude François, but it was rejected. Jacques Revaux rejected a version by Hervé Villard and reworked the track into Comme d'habitude with the help of Claude François. François accepted but asked that an underlying theme of a couple in a strained relationship be included, in reference to his recent breakup with fellow French singer France Gall. With some rewriting from Gilles Thibaut, the song became Comme d'habitude in its best-known version in French, which was released by Claude François in 19683. The song became a hit in France and was later covered by many artists, including Frank Sinatra, who released it as My Way with English lyrics by Paul Anka. Comme d'habitude has become a classic French song and has been covered by many artists in French and other languages. Overall, Comme d'habitude is a classic French song that has become a beloved standard in the world of pop music. It showcases the songwriting talents of Jacques Revaux, Claude François, and Gilles Thibaut, as well as the emotional depth and resonance of the song's themes. The song has been covered by several artists and has become a timeless classic that continues to be celebrated by music lovers around the world.
$4.99 ≈
4.69€
Comme D'habitude
Comme D'habitude
#
Piano Facile
#
DÉBUTANT
#
Claude Francois, Jacques Revau
#
Jhavilah
#
Comme D'habitude
#
Jhavilah
#
SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1272987 Composed by Claude Francois, Jacques Revaux, and Lucien Thibaut. Arranged by Jhavilah. Film/TV,Pop,Singer/Songwri...
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Piano Solo - Level 1 - SKU: A0.1272987 Composed by Claude Francois, Jacques Revaux, and Lucien Thibaut. Arranged by Jhavilah. Film/TV,Pop,Singer/Songwriter,Standards,Traditional. Score. 5 pages. Jhavilah #865176. Published by Jhavilah (A0.1272987). Comme d'habitude is a French song composed in 1967 by Jacques Revaux, with lyrics by Claude François and Gilles Thibaut. The song is about routine in a relationship falling out of love. Here are some more details about the song: The song was originally written as a ballad named For Me with English lyrics about a couple falling out of love. The demo was then sent to Petula Clark, Dalida, and Claude François, but it was rejected. Jacques Revaux rejected a version by Hervé Villard and reworked the track into Comme d'habitude with the help of Claude François. François accepted but asked that an underlying theme of a couple in a strained relationship be included, in reference to his recent breakup with fellow French singer France Gall. With some rewriting from Gilles Thibaut, the song became Comme d'habitude in its best-known version in French, which was released by Claude François in 1968. The song became a hit in France and was later covered by many artists, including Frank Sinatra, who released it as My Way with English lyrics by Paul Anka. Comme d'habitude has become a classic French song and has been covered by many artists in French and other languages. Overall, Comme d'habitude is a classic French song that has become a beloved standard in the world of pop music. It showcases the songwriting talents of Jacques Revaux, Claude François, and Gilles Thibaut, as well as the emotional depth and resonance of the song's themes. The song has been covered by several artists and has become a timeless classic that continues to be celebrated by music lovers around the world.
$4.99 ≈
4.69€
Comme D'habitude
Comme D'habitude
#
Piano Facile
#
DÉBUTANT
#
Claude Francois, Jacques Revau
#
Jhavilah
#
Comme D'habitude
#
Jhavilah
#
SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1272525 Composed by Claude Francois, Jacques Revaux, and Lucien Thibaut. Arranged by Jhavilah. Multicultural,Pop,Singer/S...
(+)
Piano Solo - Level 1 - SKU: A0.1272525 Composed by Claude Francois, Jacques Revaux, and Lucien Thibaut. Arranged by Jhavilah. Multicultural,Pop,Singer/Songwriter,Standards,Traditional,World. Score. 5 pages. Jhavilah #864750. Published by Jhavilah (A0.1272525). Comme d'habitude is a French song composed in 1967 by Jacques Revaux, with lyrics by Claude François and Gilles Thibaut. The song is about routine in a relationship falling out of love. Here are some more details about the song:The song was originally written as a ballad named For Me with English lyrics about a couple falling out of love. The demo was then sent to Petula Clark, Dalida, and Claude François, but it was rejected. Jacques Revaux rejected a version by Hervé Villard and reworked the track into Comme d'habitude with the help of Claude François. François accepted but asked that an underlying theme of a couple in a strained relationship be included, in reference to his recent breakup with fellow French singer France Gall. With some rewriting from Gilles Thibaut, the song became Comme d'habitude in its best-known version in French, which was released by Claude François in 19683. The song became a hit in France and was later covered by many artists, including Frank Sinatra, who released it as My Way with English lyrics by Paul Anka. Comme d'habitude has become a classic French song and has been covered by many artists in French and other languages. Overall, Comme d'habitude is a classic French song that has become a beloved standard in the world of pop music. It showcases the songwriting talents of Jacques Revaux, Claude François, and Gilles Thibaut, as well as the emotional depth and resonance of the song's themes. The song has been covered by several artists and has become a timeless classic that continues to be celebrated by music lovers around the world.
$4.99 ≈
4.69€
Comme D'habitude
Comme D'habitude
#
Piano Facile
#
DÉBUTANT
#
Claude Francois, Jacques Revau
#
HVIL
#
Comme D'habitude
#
Jhavilah
#
SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1272943 Composed by Claude Francois, Jacques Revaux, and Lucien Thibaut. Arranged by HVIL. Multicultural,Pop,Singer/Songw...
(+)
Easy Piano - Level 1 - SKU: A0.1272943 Composed by Claude Francois, Jacques Revaux, and Lucien Thibaut. Arranged by HVIL. Multicultural,Pop,Singer/Songwriter,Standards,Traditional,World. Score. 5 pages. Jhavilah #865126. Published by Jhavilah (A0.1272943). Comme d'habitude is a French song composed in 1967 by Jacques Revaux, with lyrics by Claude François and Gilles Thibaut. The song is about routine in a relationship falling out of love. Here are some more details about the song:The song was originally written as a ballad named For Me with English lyrics about a couple falling out of love. The demo was then sent to Petula Clark, Dalida, and Claude François, but it was rejected. Jacques Revaux rejected a version by Hervé Villard and reworked the track into Comme d'habitude with the help of Claude François. François accepted but asked that an underlying theme of a couple in a strained relationship be included, in reference to his recent breakup with fellow French singer France Gall. With some rewriting from Gilles Thibaut, the song became Comme d'habitude in its best-known version in French, which was released by Claude François in 1968. The song became a hit in France and was later covered by many artists, including Frank Sinatra, who released it as My Way with English lyrics by Paul Anka. Comme d'habitude has become a classic French song and has been covered by many artists in French and other languages. Overall, Comme d'habitude is a classic French song that has become a beloved standard in the world of pop music. It showcases the songwriting talents of Jacques Revaux, Claude François, and Gilles Thibaut, as well as the emotional depth and resonance of the song's themes. The song has been covered by several artists and has become a timeless classic that continues to be celebrated by music lovers around the world.
$4.99 ≈
4.69€
Zwei Apfelsinen im Haar
Zwei Apfelsinen im Haar
small band with Bb and Eb voices/vocal/chords
#
Pop musique
#
Chico Buarque de Hollanda; Fre
#
Fred Weyrich
#
Zwei Apfelsinen im Haar
#
Roba Music Verlag
#
SheetMusicPlus
A Banda. Composed by Chico Buarque de Hollanda; Fred Weyrich; France Gall. Samba. F Major. Pop. With Language: German. 14 pages. Published by Roba Music ...
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A Banda. Composed by Chico Buarque de Hollanda; Fred Weyrich; France Gall. Samba. F Major. Pop. With Language: German. 14 pages. Published by Roba Music Verlag (RX.9783737805551). - - Pop - Roba Music Verlag
$3.99 ≈
3.75€
Si, Maman Si
Si, Maman Si
#
Piano, Voix et Guitare
#
Pop musique
#
France Gall
#
Si, Maman Si
#
Hal Leonard Europe
#
SheetMusicPlus
Interactive Download SKU: HX.407533 By France Gall. This edition: Interactive Download. Pop. Piano/Vocal/Guitar (Piano Accompaniment). 3 pages. Published...
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Interactive Download SKU: HX.407533 By France Gall. This edition: Interactive Download. Pop. Piano/Vocal/Guitar (Piano Accompaniment). 3 pages. Published by Hal Leonard Europe (HX.407533).
$4.99 ≈
4.69€
Resiste
Resiste
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
France Gall
#
Guillaume Ceretto
#
Resiste
#
Guillaume Ceretto
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1162231 By France Gall. By Michel Berger. Arranged by Guillaume Ceretto. 20th Century,Pop. Score and parts. 32 pages. G...
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Concert Band - Level 3 - SKU: A0.1162231 By France Gall. By Michel Berger. Arranged by Guillaume Ceretto. 20th Century,Pop. Score and parts. 32 pages. Guillaume Ceretto #762579. Published by Guillaume Ceretto (A0.1162231). Play this famous song of Michel Berger with your Concert Band ! Instrumentation : Flute 1,2OboeBassoonClarinet 1,2 in BbBass Clarinet in BbAlto Saxophone 1,2 in EbTenor SaxophoneBaritone SaxophoneHorn 1,2 in FTrumpet 1,2,3 in BbTrombone 1,2,3Euphonium TC in BbTuba in CVibraphonePercussion 1 (Drum Set)Percussion 2 (Tambourine, Sus. Cymb).
$50.00 ≈
47.00€
Victoria Gallop
Victoria Gallop
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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John Gibson
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John Gibson
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Victoria Gallop
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JB Linear
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1243397 By John Gibson. By Frances Johnson. Ar...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1243397 By John Gibson. By Frances Johnson. Arranged by John Gibson. 19th Century,Jazz. 9 pages. JB Linear #838360. Published by JB Linear (A0.1243397). Fun music from the early 1800's - not quite jazz yet.
$14.50 ≈
13.63€
Francesco Trocchia: GIOCANDO IN GALLERIA – sette acquerelli (ES 1033)
Francesco Trocchia: GIOCANDO IN GALLERIA – sette acquerelli (ES 1033)
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Piano seul
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AVANCÉ
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Contemporain
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Francesco Trocchia
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Francesco Trocchia: GIOCANDO I
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Sconfinarte
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1171918 Composed by Francesco Trocchia. Classical,Contemporary. Score. 24 pages. Sconfinarte #772197. Published by Sconfi...
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Piano Solo - Level 5 - SKU: A0.1171918 Composed by Francesco Trocchia. Classical,Contemporary. Score. 24 pages. Sconfinarte #772197. Published by Sconfinarte (A0.1171918). GIOCANDO IN GALLERIA â sette acquerelli per pianoforte (ES 1033â)Organico: Pianoforte.
$20.00 ≈
18.80€
Francesco Bianchini - La Millanese/El Mulinaro - Pavane and Galliard
Francesco Bianchini - La Millanese/El Mulinaro - Pavane and Galliard
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Guitare
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Renaissance
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Anonymous, Francesco Bianchini
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Nicolás Almada
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Francesco Bianchini - La Milla
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Almada A. Nicolas
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SheetMusicPlus
Composed by Anonymous, Francesco Bianchini. Arranged by Nicolás Almada. Renaissance, Repertoire. Solo Part. 4 pages. Published by Almada A. Nicolas (S0.57771)....
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Composed by Anonymous, Francesco Bianchini. Arranged by Nicolás Almada. Renaissance, Repertoire. Solo Part. 4 pages. Published by Almada A. Nicolas (S0.57771). - Solo Part - Renaissance,Repertoire - Almada A. Nicolas
$4.99 ≈
4.69€
Zwei Apfelsinen im Haar
Zwei Apfelsinen im Haar
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Piano, Voix et Guitare
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Pop musique
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Chico Buarque de Hollanda; Fre
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Fred Weyrich
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Zwei Apfelsinen im Haar
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Roba Music Verlag
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SheetMusicPlus
(A Banda). Composed by Chico Buarque de Hollanda; Fred Weyrich; France Gall. For piano/vocal/chords. Samba. F Major. Pop. Language: German. 6 pages. Published b...
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(A Banda). Composed by Chico Buarque de Hollanda; Fred Weyrich; France Gall. For piano/vocal/chords. Samba. F Major. Pop. Language: German. 6 pages. Published by Roba Music Verlag
$3.99 ≈
3.75€
Computer Nr. 3
Computer Nr. 3
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Piano, Voix
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France Gall
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Computer Nr. 3
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Edition Intro Meisel
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SheetMusicPlus
By France Gall. By Georg Buschor; Christian Bruhn. For piano & voice. Key of C-Major. Schlager Music. Score. Text Language: German. 7 pages. Published by Ed...
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By France Gall. By Georg Buschor; Christian Bruhn. For piano & voice. Key of C-Major. Schlager Music. Score. Text Language: German. 7 pages. Published by Edition Intro Meisel
$3.99 ≈
3.75€
Thérèse Brenet: Sonata for flute and piano
Thérèse Brenet: Sonata for flute and piano
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Flûte traversière et Piano
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AVANCÉ
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabrik Music Publishi...
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Flute,Piano - Level 5 - SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2894443. Published by Musik Fabrik Music Publishing (A0.533397). A sonata in three movements for flute and piano: I. EphémèreII. La lune s'éteignitIII. Miroirs The sonata lasts aproximately 13 minutes. Thérèse BRENET, born 22 October 1935 in Paris, France began her musical studies at a very early age, receiving her first prize in Piano from the Conservatoire de Reims.At the Paris Conservatory, her prinicipal teachers were Jean Rivier, Darius Milhaud, Maurice Duruflé, Noël Gallon and Henri Dutilleux and she obtained First Prizes in Harmony, Counterpoint, and Fugue. She finished her studies in 1965, receiving a First Prize in Orchestration, A First Prize with highest honors in Composition and the First Grand Prix de Rome in musical composition.She also won the Halphen Prize for Composition and the Fugue, a grant from the Coplay Foundation of Chigaco and was named honorable member of the National Academy of History of Reims. In 1971, she received the Stéphane Chapelier-Clergue-Gabriel Marie Prize from the SACEM and in 1973, the Silver Medal from the City of Paris.After her stay at the French Academy at the Villa Médicis in Rome, Thérèse Brenet undertook several post-graduate voyages for study, notably to Poland. Upon her return in Paris in 1970, she was immediately named to the Faculty of the Paris Conservatory (CNSMD de Paris) where she also was frequently part of the juries for music theory and composition, as well as electroacoustical music.Thérèse Brenet receiving her definitive SACEM membership from Georges Auric She retired from the Paris Conservatory in 2000 and has since devoted her time to musical composition. She uses both tonal and atonal musical language, which she uses to suit her personal style. Her works are strongly influenced by literature, by painting and by science (especially astronomy). She believes that a composer should use all technical means at his or her disposal and use them rather than be used by them.Her first commission from the French National Radio, Clamavit, for Narrator, Chorus and Orchestra which was premièred by the Orchestre Lyrique de l'O.R.T.F., under the direction of André Girard, with Michel Bouquet as the Narrator, was selected to represent France in the Composer's Forum of 'U.N.E.S.C.O., and was performed in many countries. Many other works have also been performed outside of France in countries such as Switzerland, England, Germany, Belgium, Ireland, the former Yugoslavia, Italy, Portugal, the Netherlands, Libya, Canada, Uruguay, Japan and the United States etc...
$16.95 ≈
15.93€
The Marseilles Hymn
The Marseilles Hymn
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Piano, Voix
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J
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The Marseilles Hymn
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.2725 Arranged by J.T. Norton. War, Revolutions, Patriotism, France. Lester S. Levy Collection. 6 pages. Published by Johns Hop...
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Piano and voice - SKU: LV.2725 Arranged by J.T. Norton. War, Revolutions, Patriotism, France. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2725). The Marseilles Hymn. Arranged for the Piano Forte, with Flute Acco. ad libm. by J.T. Norton. Published 1829 by R.H. Hobson, 147 Chesnut St. in Philadelphia. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include War, Revolutions, Patriotism, France. First line reads Ye Gallant Frenchmen! sons of glory.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.63€
Marseilles Hymn. Chorus
Marseilles Hymn. Chorus
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Chorale TTBB
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H
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Marseilles Hymn. Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (TTBB) - SKU: LV.3131 Arranged by H.S. Saroni. Revolutions, Patriotism, France. Lester S. Levy Collection. 4 pages. Published by Johns H...
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Piano and voice (TTBB) - SKU: LV.3131 Arranged by H.S. Saroni. Revolutions, Patriotism, France. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3131). National Songs. Arranged for Four Voice or Chorus for the use of Musical Societies. Marseilles Hymn. Chorus [English and French]. Arranged by H.S. Saroni. Published 1848 by William Hall & Son, 543 Broadway, Between Spring and Prince Sts. in New York. Composition of strophic with chorus with piano and voice (ttbb) instrumentation. Subject headings for this piece include Revolutions, Patriotism, France. First line reads Ye gallant Frenchmen! sons of glory.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.63€
Clémence de Grandval : Two pieces for violin and piano
Clémence de Grandval : Two pieces for violin and piano
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Violon et Piano
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Classique
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Clémence de Grandval
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Paul Wehage (édition)
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Clémence de Grandval :
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - SKU: A0.1366622 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). Romantic Period. 29 pages. Musik Fabrik Music ...
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Piano,Violin - SKU: A0.1366622 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). Romantic Period. 29 pages. Musik Fabrik Music Publishing #950961. Published by Musik Fabrik Music Publishing (A0.1366622). Maria-Félicie-Clémence de Grandval (1828â1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother,Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarriedwith an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, MichelCarré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe. This work was written for Paul Viardot, the son of Pauline and a well-known violin virtuoso during La Belle époque.1. Andantino2. Danse Bohêmienne.
$15.95 ≈
14.99€
Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Clémence de Grandval: R
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabrik Music Publish...
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Chamber Orchestra - Level 4 - SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabrik Music Publishing #5721673. Published by Musik Fabrik Music Publishing (A0.534651). Maria-Félicie-Clémence de Grandval (1828â1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings, this item is the score and complete parts. The score only is availabel as a seperate item.
$103.95 ≈
97.72€
Clémence de Grandval: Ronde de Nuit for orchestra, score only
Clémence de Grandval: Ronde de Nuit for orchestra, score only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Clémence de Grandval: R
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabrik Music Publish...
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Chamber Orchestra - Level 4 - SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabrik Music Publishing #5721669. Published by Musik Fabrik Music Publishing (A0.534650). Maria-Félicie-Clémence de Grandval (1828â1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings. The score and complete parts are for sale as a seperate item.
$19.95 ≈
18.75€
Clémence de Grandval : Suite for flute and piano
Clémence de Grandval : Suite for flute and piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage (édition)
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Clémence de Grandval :
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1366608 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). Classical,Romantic Period. Score and ...
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Flute,Piano - Level 4 - SKU: A0.1366608 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). Classical,Romantic Period. Score and part. 79 pages. Musik Fabrik Music Publishing #950947. Published by Musik Fabrik Music Publishing (A0.1366608). Maria-Félicie-Clémence de Grandval (1828â1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother,Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarriedwith an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, MichelCarré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.1. Prélude2. Scherzo3. Menuet4. Romance5. Finale.
$24.95 ≈
23.45€
Deux Pièces: Lamento et Scherzetto for Bb clarinet and piano
Deux Pièces: Lamento et Scherzetto for Bb clarinet and piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Clemence de Grandval
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Paul Wehage (editor)
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Deux Pièces: Lamento et
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Musik Fabrik Music Publishing
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.862377 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score a...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.862377 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 26 pages. Musik Fabrik Music Publishing #468857. Published by Musik Fabrik Music Publishing (A0.862377). Maria-Félicie-Clémence de Grandval (1828â1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$20.00 ≈
18.80€
Deux Pièces : Invocation et Air Slave
Deux Pièces : Invocation et Air Slave
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Clemence de Grandval
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Paul Wehage (editor)
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Deux Pièces : Invocatio
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Musik Fabrik Music Publishing
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - SKU: A0.862412 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score a...
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B-Flat Clarinet,Piano - Level 4 - SKU: A0.862412 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 24 pages. Musik Fabrik Music Publishing #468892. Published by Musik Fabrik Music Publishing (A0.862412). Maria-Félicie-Clémence de Grandval (1828â1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$20.00 ≈
18.80€
Deux Pièces : Invocation et Air Slave
Deux Pièces : Invocation et Air Slave
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Clemence de Grandval
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Paul Wehage (editor)
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Deux Pièces : Invocatio
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Musik Fabrik Music Publishing
#
SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.862414 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and ...
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English Horn,Piano - Level 4 - SKU: A0.862414 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 24 pages. Musik Fabrik Music Publishing #468894. Published by Musik Fabrik Music Publishing (A0.862414). Maria-Félicie-Clémence de Grandval (1828â1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$20.00 ≈
18.80€
Clémence de Grandval: Valse Mélancolique for flute and harp
Clémence de Grandval: Valse Mélancolique for flute and harp
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Harpe, Flûte (duo)
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INTERMÉDIAIRE/AVANCÉ
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Clémence de Grandval
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Clémence de Grandval: V
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Instrumental Duet Flute,Harp,Instrumental Duet - Level 4 - SKU: A0.534731 Composed by Clémence de Grandval. Concert,Romantic Period,Standards. Score ...
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Instrumental Duet Flute,Harp,Instrumental Duet - Level 4 - SKU: A0.534731 Composed by Clémence de Grandval. Concert,Romantic Period,Standards. Score and parts. 22 pages. Musik Fabrik Music Publishing #6362085. Published by Musik Fabrik Music Publishing (A0.534731). Maria-Félicie-Clémence de Grandval (1828â1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$12.95 ≈
12.17€
Deux Pièces : Invocation et Air Slave
Deux Pièces : Invocation et Air Slave
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Clemence de Grandval
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Paul Wehage (editor)
#
Deux Pièces : Invocatio
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.862413 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score an...
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Alto Saxophone,Piano - Level 4 - SKU: A0.862413 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 24 pages. Musik Fabrik Music Publishing #468893. Published by Musik Fabrik Music Publishing (A0.862413). Maria-Félicie-Clémence de Grandval (1828â1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$20.00 ≈
18.80€
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