Miles Davis

Miles Davis often used this signature riff tune to close his concert sets. Using background figures and other elements from the original recordings Paul Murtha has skillfully assembled a full-blown chart for young jazz ensembles.The opening sectiontrades the theme between trumpet and tenor sax and eventually the entire ensemble gets into the act.

Celebrating the achievements of a true jazz innovator this excellent medley by Mark Taylor embraces some of the greatest compositions by the legendary Miles Davis. Includes: So What All Blues Seven Steps to Heaven andMilestones. Featured are solos for trumpet and drums.

Recorded in the mid-1950s and also known as ?Tranes Blues ? this jazz classic is credited to Miles Davis but reportedly penned by John Coltrane. Regardless Michael Mossmans refreshing version crafted in a moderate cha-cha groove puts this standardtune in a completely new light. The solo section can be handled by any sax.

Available now in a very easy version this Miles Davis classic is a must for bands just starting out. The modal structure teaches the dorian scale and students are introduced to one of the legends of jazz.

The definitive recording of this jazz classic is by Bill Evans with other notable recordings by Cannonball Adderley and Joe Henderson. Paul Murtha's arrangement for young groups features a Latin style on the head then switches toswing on the bridge. Includes very effective writing for all sections of the band as well as solo space for alto sax.

The arranging genius of Gordon Goodwin is readily apparent in this unique version of Miles Davis' classic. At times a jazz waltz at times straight ahead swinging in 4 the ensemble lines flow effortlessly from style to style.Solo space is available for any combination of alto tenor trumpet or trombone. A marvelous showcase on an important jazz standard. (Alto 1 doubles on flute)

The saxes do most of the heavy lifting on this easy version of the Miles Davis standard. In addition there is a short sax soli and a written or ad lib solo for trumpet. This is a wonderful introduction for young players to one ofthe most important jazz figures of the 20th century.

Originally recorded on the Miles Davis landmark recording Kind of Blue here is a swingin' and updated take on this all-time blues favorite. Tasty full ensemble interludes surround solo space for alto sax trumpet and bass. Thischart is a perfect choice for festivals or contests.

Miles Davis left a legacy of innovative playing and enduring compositions. Here is one of his best tunes in a swinging medium up-tempo arrangement for young bands by Mark Taylor.

This early jazz classic by Miles Davis is an excellent vehicle for introducing the blues. The trumpet soli section is derived from Miles' original solo and may be performed either as a solo or as a section feature.

Here is the Mile Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head the saxes take the signature melody line answered by the brass. The open solo section features tasty background figures followed by a tuttiensemble section before returning to the head.