|
| Ruders Poul Three Motets
For Mixed Chorus Vocal
Score
Chorale SATB
SATB divisi
Wilhelm Hansen
Pour chorale SATB avec divisi. Textes en italien, en latin et Deutsch. / Voix
Délais: 2-5 jours - En Stock Fournisseur |
|
|
| Poul Ruders: Højt På En
Gren En Krage: Upper
Voices: Score
Wilhelm Hansen
Højt På En Gren En Krage by Poul Ruders (1997) for Childrens Choir Mixed Choi...(+)
Højt På En Gren En Krage by Poul Ruders (1997) for Childrens Choir Mixed Choir SATB Soprano Saxophone and Piano.
|
|
|
| Poul Ruders: The Solar
Triology: Orchestra:
Score
Orchestre
Wilhelm Hansen
The full score of Ruders' Solar Triology for large orchestra.
|
|
|
| Poul Ruders: Clarinet
Quintet: Clarinet &
String Quartet: Score
Wilhelm Hansen
POD-Clarinet Quintet by Poul Ruders was composed in 2014 for Harry Cameron-Penny...(+)
POD-Clarinet Quintet by Poul Ruders was composed in 2014 for Harry Cameron-Penny and The Benyounes Quartet. Scored for Clarinet in Bb 2 Violins Viola and Cello.
|
|
|
| Poul Ruders: Air With
Changes - For Guitar
Quartet: Guitar Ensemble:
Score and
Guitare [Partition]
Wilhelm Hansen
Air With Changes - (Originally for Harp solo) arranged by the composer for Guita...(+)
Air With Changes - (Originally for Harp solo) arranged by the composer for Guitar Quartet. Commissioned by Becky and David Starobin for the Curtis Institute of Music and written for the Curtis Institute Guitarists 2017.
|
|
|
| Poul Ruders: Violin
Concerto No.1: Violin:
Score
VLN/HARP/HPCD/STR ORCH::Violin, Harp,
Harpsichord, String Orchestra [Partition] - Intermédiaire/avancé
Wilhelm Hansen
Violin Concerto No.1 for Violin solo and Harp Harpsichord and Strings by Poul R...(+)
Violin Concerto No.1 for Violin solo and Harp Harpsichord and Strings by Poul Ruders (1981).
|
|
|
| Poul Ruders:
Bravourstudien: Cello:
Instrumental Work
Violoncelle [Partition] - Avancé
Wilhelm Hansen
Bravourstudien for Cello solo.
|
|
|
| Poul Ruders: Dronning
Dagmars Dod: SATB: Vocal
Score
Chorale SATB
SATB [Vocal Score]
Wilhelm Hansen
The Death Of Queen Dagmar-Medieval Folk Song for SATB Choir.
|
|
|
| Poul Ruders: String
Quartet No.4: String
Quartet: Parts
Quatuor à cordes: 2 violons,
alto, violoncelle
Wilhelm Hansen
Set of parts for String Quartet No.4 by Poul Ruders dating from 2012. Score ava...(+)
Set of parts for String Quartet No.4 by Poul Ruders dating from 2012. Score available: WH31600 Programme Note: It might be of interest for some to note that a gap of only six months separates the writing of my second and third quartets (1979) but a 33 year interval stands between the third and the present piece String Quartet No. 4.Which is in five movements and is about nothing but itself. The first movement 'Adagio - Presto alla breve - Adagio' is an overture of sorts lifting the lid as it were on the odd bit of what happens later on in the other movements.A portal into:The second movement 'Vivo scherzando' which is just that: a short (2 minutes only) fast and jocular piece leading up to the next movement: 'Adagio sognante' a slow and hushed dream-world paving the way for the pièce de resistance of the entire quartet: 'Presto alla breve' a ferociously fast tour de force for the four players who with that one under their belts can lean back a little (but only a little) and put the whole thing gently to bed in the fifth and final movement: a simple 'Adagio'. Off the record: my first string quartet (1972) has been withdrawn and is no more a fact that renders the numbering of the subsequent quartets a matter of personal conviction. Poul Ruders November 2012
Délais: En Stock |
|
|
| Poul Ruders: Tattoo For
Four: Chamber Ensemble:
Parts
Clarinette, Violon, Violoncelle, Piano [Partition]
Wilhelm Hansen
Tattoo For Four - A drill for Clarinet in Bb Violin Violoncello & Piano (2017)...(+)
Tattoo For Four - A drill for Clarinet in Bb Violin Violoncello & Piano (2017). Dedicated to Ensemble Nordlys. Parts are available: WH32974A Programme note TATTOO FOR FOUR is in reality the same piece as TATTOO FORTHREE from 1984 but with a fourth voice - for violin - added. Forperformances of the older piece just omit the violin part. The'hidden' 1984 piece has been slightly revised so the originalperforming material is now obsolete. The first piece in the TATTOO series was TATTOO FOR ONE for solo clarinet also written in 1984. Reaching back to its 1984 origins TATTOOFOR FOUR follows standard accidental procedure.(Poul Ruders)
|
|
|
| Poul Ruders: Sonatas:
Mixed Choir: Score [Partition]
Wilhelm Hansen
Sonatas - Six Pieces of Music for Large Wind Ensemble Percussion Harp and Pian...(+)
Sonatas - Six Pieces of Music for Large Wind Ensemble Percussion Harp and Piano by Poul Ruders (2011). Preface / Programme Note Normally when being confronted with the term ´sonata´ we tend tothink of a substantial composition for piano solo in three movements predominantly by Mozart or Beethoven. The word however derives from the Italian ´sonare´ meaning ´to play´. In the 16th. Century acomposition entitled ´sonata´ merely indicated a piece of music forinstruments as opposed to the ´cantata´ - a piece involving voices. The Italian cantare simply means´to sing´. The present suite SONATAS is a composition subtitled ´six pieces of music for large wind ensemble percussion piano and harp´. It opens with a REVEILLE a short ´wake-up call´ a fanfare opening the gate into what follows. The second movement is called PASTORALE and certainly is that a peaceful unfolding of gentlechords and sounds of a bucolic nature. Nothing dramatic happens whereas in the third movement SCHERZO the wood winds chaseeach other in a wild relay run. Then all of a sudden the mood changes and we are plunged rightinto the middle of the darkest night. In the NOCTURNE unnervingly subtitled sinistro the low rumbling chords in the trombones and prickly outburst in oboes and horns form the sinister back drop to this wordless Grand Guignol. Which merges seamlessly into PANORAMA an unfolding festive almost pageant like ´sound-scape´of dancing rhytms and jubilant scales. Slowly however the tempodrops and the former boisterous body of sound is being slowly and mercilessly ´skeletonized´ - and at the end there is nothing left. RETRAITE - 'the last post'. The day is over the sun sets. Parts are for hire: hire@ewh.dk. Orchestration: 4444/6441/timp.3perc/hp.pf
|
|
|
| Poul Ruders: Romances:
Viola: Score and Parts
VLA/PF::Viola, Piano [Partition]
Wilhelm Hansen
Romances - Six short pieces for Viola and Piano by Poul Ruders. Programme note A...(+)
Romances - Six short pieces for Viola and Piano by Poul Ruders. Programme note According to tradition a mid- or late-19th century instrumental Romance - or Romanza - is a shortish composition of predominantly melodic nature with a slight leaning toward the sentimental.In several European languages such as German French and Danish the word for navel i.e. an unfolding drama in writing is Roman and although there's nothing literary about my Six Romances for viola and piano each piece tells its own story open to individual inner interpretation. Portal forms the opening chapter so to speak pavingthe way for the second movement named Even Song. Maybe it's just a simple tune heard at sunset perhaps the melody is carried from far away over the hills from inside the village church...Titles such as Ballad and Dirge (song of mourning) immediately reveal the nature and mood of the music to come where-as the concluding piece Duet is slightly more 'mysterious.'In a classic duet the two instruments in question or more likely voices complement each other benevolently. In the present case however the viola and the piano both stand firm protection their own turf - and - 'the twain shall never meet!'The piece is very short indeed it just stops leaving the listener to finish the 'story' in his or her own imagination. A true open ending. (Poul Ruders)
|
|
|
| Poul Ruders: Symphony
No.2: Orchestra: Score
Orchestre [Partition]
Wilhelm Hansen
A second Symphony by Ruders commissioned by the Serge Koussevitzky Music Founda...(+)
A second Symphony by Ruders commissioned by the Serge Koussevitzky Music Foundation in the Library of Congress for the New York City based chamber orchestra Riverside Symphony. The piece is subtitled Symphony And Transformation to express the formal symphonic nature of a piece that is otherwise in a state of constant musical and textural transformation.
|
|
|
| Poul Ruders: String
Quartet No.3 'Motet':
String Quartet:
Instrumental Work
Quatuor à cordes: 2 violons,
alto, violoncelle
Wilhelm Hansen
Programme Note This short one-movement quartet is a kind of modernization of the...(+)
Programme Note This short one-movement quartet is a kind of modernization of the 14th century French motets a cadeau to this weird and fantastic music whose abstract and almost deprecatory introvert expression appears unaccountably modern and incredibly ancient at the same time. MOTET is a sober cool treatise on rhythm and statics depicted in a Gothic crypt-like atmosphere. The almost completely non-vibrato movement is suggestive of boysâ choir monksâ processions and the piercing sound of musical glasses. An ancient world is reborn and becomes the world of today. Poul Ruders 1979
|
|
|
| Poul Ruders: Vox In Rama:
Chamber Ensemble: Score
and Parts
Violon, Clarinette, Piano (trio) [Partition]
Wilhelm Hansen
The Trio 'Vox in Rama' for clarinet amplified violin and piano was commissioned...(+)
The Trio 'Vox in Rama' for clarinet amplified violin and piano was commissioned by The Danish Academy of Fine Arts in 1983.
|
|
|
| Poul Ruders: Concertino:
Bass Trombone: Score
BTBN/ENS::Bass Trombone, Ensemble [Partition] - Intermédiaire/avancé
Wilhelm Hansen
Concertino was composed by Danish composer Poul Ruders in 2008. Scored for Bass ...(+)
Concertino was composed by Danish composer Poul Ruders in 2008. Scored for Bass Trombone and Ensemble.
|
|
|
| Poul Ruders: The
Thirteenth Child: Opera:
Score
Opéra [Partition]
Wilhelm Hansen
A Fairytale Opera In Two Acts-The Thirteenth Child - A Fairytale Opera In Two Ac...(+)
A Fairytale Opera In Two Acts-The Thirteenth Child - A Fairytale Opera In Two Acts by Poul Ruders (2014-15). Libretto by Becky Starobin and David Starobin. Scenario by Becky Starobin. Suggested by 'The Twelve Brothers' by the Brothers Grimm. SYNOPSIS Act 1 Scene 1 The neighboring Kingdoms of Frohagord and Hauven are in crisis. Following a warning by his embittered cousin Drokan Regent of Hauven King Hjarne of Frohagord is convinced that his twelve sons are plotting to overthrow him. The twelve princes oblivious to their father's paranoia play in the courtyard. The enraged King threatensthe safety of his sons telling his pregnant wife Queen Gertrude that she must provide him with a female heir as 'only she shall wear the crown'. Gertrude calms Hjarne and they sing of the Lilies of Frohagord magical flowers that protect the kingdom. When Benjamin the youngest prince innocently plucks a lily from the garden Hjarne flies into a mad rage and strikes Gertrude. Drokan observing the encounter admits his love for Gertrude and feels 'the trembling of the earth'. Act 1 Scene 2 Eighteen years have passed and King Hjarne has just died. At Hjarne's funeral Frederic Drokan and the mourners tell of the mysterious disappearance of the King's thirteen children and the shadows that haunt the kingdom. Queen Gertrude now mortally ill and her daughter Princess Lyra enter the Royal Chapel. Gertrude is repelled by the sight of Drokan while Frederic is drawn to Lyra. Drokan plots to usurp the Kingdom of Frohagord and Frederic dreams of the day when Lyra will be his. Act 1 Scene 3 Queen Gertrude is on her deathbed attended by Princess Lyra. Lyra asks her mother why she was sent away. Gertrude has Lyra open a secret drawer where Lyra finds twelve shirts
|
|
|
| Poul Ruders: Symphony No.
5: Orchestra: Score
Orchestre [Partitions] - Avancé
Wilhelm Hansen
Symphony No. 5 by Poul Ruders.Commissioned by the Danish National Radio Symphony...(+)
Symphony No. 5 by Poul Ruders.Commissioned by the Danish National Radio Symphony Orchestrafor World Premiere on January 9 2015.
|
|
|
| Poul Ruders: Final
Nightshade - An Adagio Of
The Night: Orchestra:
Score
Orchestre [Partition]
Wilhelm Hansen
Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fish...(+)
Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fisher Hall Lincoln Center New York City 10th June 2004. Orchestration 3 Flutes 3rd dbl. Piccolo2 Oboes1 English Horn in F3 Clarinets in Bb 3rd dbl. Bas Clarinet in Bb2 Bassoons1 Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba1 (set of) Timpani2 Percussion (two players)1: Bass Drum (large) Chinese Cymbal Mark Tree2: TamTam (large) Vibraphone Antique Cymbal1 Harp1 Piano dbl. CelestaStringsAll non-octave transposing instruments are notated in their relevanttranspositions.Horns notated in bass clef sound a fourth above the notated pitch.All accidentals apply to each single note only except tied notes. Naturals for 'safety'. Programme Note This piece marks the conclusion of what could now be called 'The Nightshade Trilogy' three pieces which explore the contrasting worlds of Light and Darkness. As opposed to the earlier chamber work Nightshade which dealt with extremes of high and low pitches and the chamber orchestra composition Second Nightshade a two-fold piece contrasting darkness/anxiety and light/calm Final Nightshade for full symphony orchestra takes us on a journey in which the forces of dark and light struggle - and co-exist - in a predominantly polyphonic web with brooding undertones. The melodic point-of-departure is not surprisingly to be found in either of the two preceding pieces of the Trilogy but in an older piece Corpus Cum Figuris from 1985. Over the ensuing years I've dreamt on and off of 'doing something' with the opening measures of this older work perhaps even building a new composition on that very simple inward-looking time was ripe and there's a nice nostalgia angle to the idea: Corpus Cum Figuris was the first piece of mine to be
|
|
|
| Poul Ruders: Piano
Concerto No.2: Piano:
Score
Piano et Orchestre [Conducteur]
Wilhelm Hansen
Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned ...(+)
Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned by The Norwegian Radio Orchestra and Jerome Lowenthal. Solo Piano part: WH31129CProgramme Note In this day and age when faced with the challenge of writing a 'Piano Concerto' e.g. a piece for symphony orchestra and an all-dominating and virtuosic solo Piano part one has two options: either: DO or do NOT go for it wholesale exploiting and enjoying the conrnucopia of sonorous treasures offered by the combination of the orchestra and the 'Grand Piano'. I have opted to go for it. When writing forone of our great young international Piano stars it would be absurd and a waste to do anything less and only 'nibble at the goodies'.However the piece is not a big clunky 'machine'. Rather it is a transparently orchestrated neo-classic (for the lack of a better work) composition in three movements lastign approximately 25 minutes.The piece begins with a moderately paced opening in which the Piano gradually gathers momentum and strength beginning with the most gentle of motifs. In this movement the soloist and orchestra fo not always agree and the vigilant listener will observe the disparity between the two. Following a swift up-beat coda the movement stops almost in mid-breath on one of the gentle Piano chords taken from the very opening.The extreme simplicity of the second movement 'Semplice' (the opening Piano solo bears the marking: 'slightly hesitant - like a child practicing') is after having been joined by the Vibraphone Harp and solo Violin suddenly violated with unprecedented brutality by the rest of the orchestra which virtually 'lies in wait - panting to pounce'. But eventually calm and order is restored.The finale is a crazy rondo of sorts. The marking 'Avanti Risoluto' (Forward with Resolve) is a bit of an understatement. It is a full throttle no hold barred ride -
|
|
|
| Poul Ruders: Corpus Cum
Figuris: Orchestra: Score
Musique De Chambre [Partition]
Wilhelm Hansen
Corpus Cum Figuris is a uniform composition in three major parts. The first part...(+)
Corpus Cum Figuris is a uniform composition in three major parts. The first part is a slow marche funébre a kind of prologue with dark and sombre sounds and a massive wall of chords which leads us to the other part of the works where the static and solemn atmosphere is suddenly stopped and replaced by a rhythmic/melodic ritual which accelerates the music. In the third part the block structure is softened gradually different figurations and stylistic elements arise to live their own lives: distant waltzes and pictures from the Middle Ages appear in this gigantic sonorous body. After a wild percussion orgy a short flash-back and a scream from the edge end Corpus cumFiguris. The piece has no literal content at all even though the title leads the thought to Adrian Leverkühn?s Apocalipsis cum Figuris from Thomas Mann?s Doctor Faustus. More likely my piece will arouse associations as with all my music. It has to be heard in it?s own conditions in this case as a big body of music or perhaps as a great screen where the details of course are part of the whole body but at the same time are foreign and odd. It is as if one climbs a mountain and from the top of that mountain discovers a world which is completely different from expected. Corpus cum Figuris for 20 musicians was composed in 1984 commissioned by Ensemble InterContemporain and the Danish Radio. Ensemble InterContemporain world premiered the work in April 1985 conducted by Peter Eötvös. The piece was also played at the ISCM-festival in Amsterdam by Netherland Radio Chamber Orchestra conducted by Ernest Bour.
|
|
|
| Poul Ruders: String
Quartet No.4: String
Quartet: Score
Quatuor à cordes: 2 violons,
alto, violoncelle
Wilhelm Hansen
String Quartet No.4 by Poul Ruders dating from 2012. Programme Note: It might b...(+)
String Quartet No.4 by Poul Ruders dating from 2012. Programme Note: It might be of interest for some to note that a gap of only six months separates the writing of my second and third quartets (1979) but a 33 year interval stands between the third and the present piece String Quartet No. 4.Which is in five movements and is about nothing but itself. The first movement 'Adagio - Presto alla breve - Adagio' is an overture of sorts lifting the lid as it were on the odd bit of what happens later on in the other movements.A portal into: The second movement 'Vivo scherzando' which is justthat: a short (2 minutes only) fast and jocular piece leading up to the next movement: 'Adagio sognante' a slow and hushed dream-world paving the way for the pièce de resistance of the entire quartet: 'Presto alla breve' a ferociously fast tour de force for the four players who with that one under their belts can lean back a little (but only a little) and put the whole thing gently to bed in the fifth and final movement: a simple 'Adagio'. Off the record: my first string quartet (1972) has been withdrawn and is no more a fact that renders the numbering of the subsequent quartets a matter of personal conviction. Poul Ruders November 2012
Délais: En Stock |
|
|
| Poul Ruders: Break-Dance:
Brass Ensemble: Parts
Ensemble de cuivres
Wilhelm Hansen
Break-Dance is an obvious next of kin to the two Clarinet trios Vox In Rama and ...(+)
Break-Dance is an obvious next of kin to the two Clarinet trios Vox In Rama and Tattoo For Three. This piece however combines the roaring despair of the first trio with the twisted rhythmical display of the latter. The title of course is a reference to the modern street-dance electric boogie but the very music itself takes the naming most literally indeed: formally and rhythmically after a straightforward head-on opening it breaks into isolated jagged fragments winding up in a bouncing piano cadenza. Albeit not an obvious piano concerto the piano part hovers in the front line the same way the horizontal guy ringing himself on the pavement is doubtless aneye-catcher to passers-by. The springy 'body-language' that kicks off the piece suddenly stiffens and freezes into hard-edged blocks and the real 'dance of breaks' emerges into focus. Break-dance is commissioned by and dedicated to Yvar Mikhashoff and Spectrum. Arranged for 2 Trumpets 3 Trombones and Piano.
|
|
|
| Poul Ruders: Fanfarewell:
Trombone: Score
Wilhelm Hansen
For three trombones. In manuscript.
|
|
|
| Poul Ruders: Sarabande
Blues: Orchestra
Wilhelm Hansen
31.99 GBP - vendu par Musicroom GB |
|
|
| Poul Ruders: Concerto For
Viola And Orchestra:
Viola: Instrumental Work
Wilhelm Hansen
Concerto For Viola And Orchestra by the Danish composer Poul Ruders. For Viola w...(+)
Concerto For Viola And Orchestra by the Danish composer Poul Ruders. For Viola with Piano reduction.This 28 minute piece was written for Yuri Bashmet commissioned by Léonie Sonnings Music Foundation and first performed by Danmarks Radio in 1994.
|
|
|
| Poul Ruders: Fanfares And
Chorales: Brass Ensemble:
Score
Ensemble de cuivres
Wilhelm Hansen
POD-Fanfares And Chorales for Brass Ensemble was composed by Poul Ruders in 2016...(+)
POD-Fanfares And Chorales for Brass Ensemble was composed by Poul Ruders in 2016. Commissioned by the Royal Danish Academy of Music and professor Jesper Juul Windahl in celebration of RDAM´s 150th anniversary in 2017.
|
|
