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| Judith Weir: Songs From
The Exotic: Low Voice:
Instrumental Work
Voix basse, Piano [Partition]
Chester
Songs from the Exotic were commissioned by Josephine Nendick who gave the first...(+)
Songs from the Exotic were commissioned by Josephine Nendick who gave the first performance with Michael Finnissy on 7th October 1987 in Cambridge. These four songs were inspired by folk traditions of Serbia Spain andScotland. In each case the text comes from a folksong source but the music is entirely invented. The duration is approximately 10 minutes.
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| Judith Weir: Oboe
Concerto (Oboe/Piano
Reduction): Oboe: Score
Hautbois, Piano (duo) [Reduction]
Chester
Oboe Concerto (Oboe/Piano Reduction)
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| Judith Weir: Holy
Innocents: 2-Part Choir:
Vocal Score
Chorale 2 parties
2 parties, Orgue [Partition]
Chester
Holy Innocents is a work by Judith Weir for 2-part Soprano Chorus and Organ Acc...(+)
Holy Innocents is a work by Judith Weir for 2-part Soprano Chorus and Organ Accompaniment. This piece lasts around 3 and a half minutes. 'Judith Weir has composed a setting of ChristinaRossetti's poem Holy Innocents in which a continuous and flowing Organ part underpins two Soprano lines heard either in dialogue or unison. Composed for the 20th anniversary of the St. Albans Abbey Girls Choir it would besuitable for any type of children's choir.' - Geoffrey Webber Choir & Organ Magazine
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| Judith Weir: Thread!:
Orchestra: Score
Orchestre [Partition]
Novello & Co Ltd.
Facsimile study score. Full score and orchestral parts available for hire.
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| Variations For Judith:
Piano: Instrumental Album
Piano seul [Partition] - Intermédiaire
Chester
Eleven short reflections on Bist du bei mir by G.H. Stölzel arr J.S. Bach for p...(+)
Eleven short reflections on Bist du bei mir by G.H. Stölzel arr J.S. Bach for piano (easy to intermediate)Judith Serota was Executive Director of the Spitalfields Festivals in east London until late 2007. As asurprise leaving present to her the then Artistic Director of the Festival Diana Burrell conceived the idea of assembling a set of Piano pieces of easy to intermediate difficulty for her to play. These were to be variations ona theme: Bist du bei mir a song for voice and continuo in J.S. Bach's second Klavierbüchlein or 'Little Keyboard Book'.The variations were written by the Artistic Directors of the Spitalfields Festival all composers with whom Judith had worked over the preceding 20 years. Since then several more composers linked to the Festival during those years have contributed pieces. The result is Variations for Judith 'eleven short reflections' on the theme.
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| Judith Weir: Atlantic
Drift - Three Pieces For
Two Violins: Violin Duet:
2 Violons (duo) [Partition] - Intermédiaire
Chester
COMPOSER'S NOTESThe music of these violin duos has been influenced by the centur...(+)
COMPOSER'S NOTESThe music of these violin duos has been influenced by the centuries-long flow of traditional music from the British Isles to North America and back again. The compositions are dedicated toseveral people who are keeping that transatlantic musical flow in motion today.Sleep Sound Ida Mornin'Sleep Sound ida Mornin' is a very short duo for two violins based on a traditionaltune which I first heard in the Orkney Islands although played there on the banjo by a native of Kansas. My extended version with a slow introduction was first played in Boston on 29th January 1995 by Lesley Chen and NathanSchmidt members of the New England Conservatory's Preparatory Division during their annual weekend festival of contemporary music. This very remarkable and encouraging event was devised and organised by Rodney Lister to whomthis piece is dedicated.Duration c. 2 minutes.Atlantic DriftAn earlier even shorter version of Atlantic Drift written for violin and piano was first performed by PeterSheppard Skaerved and Aaron Schorr at the Royal Academy of Music London on 9th May 2006 in a concert to celebrate the 70th birthday of the American composer and transatlantic communicator Elliott Schwartz. The melody isoriginal though clearly influenced by the music and perpetual tides of the Hebrides. Duration c. 3 minutes.Rain and Mist are on the Mountain I'd Better Buy SomeShoesThis four-movement duo for two violins is based on a fragment of a Gaelic folk song from Barra in the Western Isles of Scotland. The title suggests that although the Gaels of yesteryear were rich inpoetic expression and the beauties of nature they were otherwise not very affluent. Rain and Mist was first performed at the Wigmore Hall London on 6th February 2005 by Corina Belcea and Laura Samuel.Duration c. 6
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| Judith Weir: Stars Night
Music And Light: SATB:
Vocal Score
Chorale SATB [Vocal Score]
Chester
Stars Night Music And Light
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| Magnificat And Nunc
Dimittis
Chorale SATB
SATB [Partition]
Chester
Ce travail a été commandé par le maître et les boursiers du Collège St Jean...(+)
Ce travail a été commandé par le maître et les boursiers du Collège St Jean, à Cambridge, à l'occasion du 500e anniversaire de la fondation du Collège. Le Magnificat a été réalisée par Andrew Nethsingha et le Choeur du Collège St-Jean le 30 Octobre 2011, et le Nunc dimittis (dans le cadre d'un spectacle complet), le 5 Février 2012. / SATB / 20 pages / Partition
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| Judith Weir: The Wild
Reeds: Organ:
Instrumental Work
Orgue
Chester
Judith Weir's The Wild Reeds for Organ.'The Wild Reeds is a ten-minute partita ...(+)
Judith Weir's The Wild Reeds for Organ.'The Wild Reeds is a ten-minute partita made up of an original theme followed by six variations which are played continuously. The theme was partlyinspired by folk music for outdoor wind instruments from eastern Europe rugged yet delicate at the same time. Another important inspiration has been the Organ sonorities which result from unusual divisions of the octave producing strange chords and ghostly harmonisations of melodies. Above all The Wild Reeds has been written for Thomas Trotter (who personally commissioned this music and gave much valuable advice during its composition) in honourof his remarkable thirty years as Birmingham City Organist.' - Judith Weir
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| Judith Weir: A Spanish
Liederbooklet: Soprano:
Instrumental Work
Voix Soprano, Piano [Partition]
Chester
A Spanish Liederbooklet is a short song cycle(of about eight minutesâ durat...(+)
A Spanish Liederbooklet is a short song cycle(of about eight minutesâ duration) for high soprano and piano written for Eileen Hulse in 1988. Eileen gave the first performance accompanied by Graham Johnson at the 1988 CheltenhamFestival. The texts are all Spanish Romances by anonymous authors from the 15th/16th centuries. The songs are sung in the original Spanish.
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| Judith Weir: Day By Day:
SSA: Vocal Score
Chorale 3 parties
SSA [Vocal Score]
Chester
3.50 GBP - vendu par Musicroom GB |
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| Judith Weir: Moon And
Star: SATB: Vocal Score
Chorale SATB
SATB, Piano [Vocal Score] - Intermédiaire
Chester
This work was commissioned by the BBC. It was first performaed in 11 August 1995...(+)
This work was commissioned by the BBC. It was first performaed in 11 August 1995 as part of a Henry Wood Promenade Concert at teh Royal Albert Hall London by the BBC Symphony Orchestra and the BBC Singers conducted byAndrew Davies. Text by Emily Dickenson.
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| Judith Weir: String
Quartet: String Quartet:
Score
Quatuor à cordes: 2 violons,
alto, violoncelle [Partition]
Chester
Written for the Endellion Quartet in 1990. Duration 13 minutes. Parts availabl...(+)
Written for the Endellion Quartet in 1990. Duration 13 minutes. Parts available: SOS03190
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| Judith Weir: A Song Of
Departure: Chamber
Ensemble: Part
Piano Quintette: piano, violon, alto,
violoncelle, contre basse
Chester
A Song Of Departure. Composed for the Schubert Ensemble?s farewell tour and mode...(+)
A Song Of Departure. Composed for the Schubert Ensemble?s farewell tour and modelled on ?Abschied? from Schubert?s Schwanengesang, this four-minute piece gives each player a brief solo before the work?s close. A light-hearted piece that is ideal for the end of a concert programme or as an encore.
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| Judith Weir: Scotch
Minstrelsy: Tenor: Vocal
Score
Voix ténor ou voix soprano et
piano
Novello & Co Ltd.
For Tenor (or Soprano) and Piano. Scotch Minstrelsy is a song cycle comprising s...(+)
For Tenor (or Soprano) and Piano. Scotch Minstrelsy is a song cycle comprising settings of five Scottish ballads whose subject matter is almost exclusively violent happenings which take place against the beautiful background of the Scottish countryside. 'It was my intention to reflect this underlying irony in the way words are set to music.' (J.W.) First performed on 14 May 1982. Duration: c.12 minutes.
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| Judith Weir: Several
Concertos For Flute Cello
and Piano: Chamber
Ensemble:
Flûte, Violoncelle, Piano (trio) [Partition]
Novello & Co Ltd.
Commissioned by the Lontano Ensemble and first performed by them on 21st Januar...(+)
Commissioned by the Lontano Ensemble and first performed by them on 21st January 1981. In this piece one instrument per movement is given musical prominence over the other two. Duration: c. 15 minutes.
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| Judith Weir: A Wreath
Chorale SAATB A Cappella
Chester
2.25 GBP - vendu par Musicroom GB
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| Judith Weir: Winter Song:
Ensemble: Score and Parts
Chester
Winter Song is a 17-minute continuous movement for a small orchestra consisting ...(+)
Winter Song is a 17-minute continuous movement for a small orchestra consisting of 12 winds and aminimum of 24 strings in which every player isa soloist. This glorious piece was beautifully composed byWeir JudithThis amazing piece includes sheet music for parts oboe 1+2 clarinet 1+2 bassoon 1+2 horn 1+2 trumpet 1+2 string section and score.
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| Judith Weir:
Woman.Life.Song: Soprano:
Vocal Score
SOP/CHAM::Soprano/Musique De Chambre [Vocal Score]
Chester
Work for Solo Soprano and Chamber Orchestra commissioned by Carnegie Hall. Text...(+)
Work for Solo Soprano and Chamber Orchestra commissioned by Carnegie Hall. Text: Maya Angelou Toni Morrison and Clarissa Pinkola Estés. The piece was first performed by Jessye Norman and the Orchestra of St.Luke's conducted byDavid Robertson in Carnegie Hall New York on March 22 2000
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| Judith Weir: His Mercy
Endureth For Ever: SATB:
Vocal Score
Chorale SATB [Vocal Score]
Chester
His Mercy Endureth For Ever is a work by Judith Weir for SAATTBB Chorus and Orga...(+)
His Mercy Endureth For Ever is a work by Judith Weir for SAATTBB Chorus and Organ Accompaniment. This was commissioned by Her Majesty's Government and the Dean and Chapter of Westminster. It was firstperformed by the Choir of Westminster Abbey at a service of thanksgiving held in Westminster Abbey marking the 70th anniversary of VE Day.
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| Judith Weir: Ox Mountain
Was Covered By Trees:
Soprano: Instrumental
Work [Vocal Score]
Chester
This was originally written for soprano counter tenor and baritone soloists and...(+)
This was originally written for soprano counter tenor and baritone soloists and chamber orchestra.This version scored for soprano counter tenor and piano was composed in 1997 for a concert given by Deborah York MichaelChance and Julius Drake at the Wigmore Hall.
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| Judith Weir: A Night At
The Chinese Opera (Full
Score): Opera: Score
Opéra [Partition]
Novello & Co Ltd.
A3 Size Score of the Opera in 3 Acts with libretto by the composer based on the...(+)
A3 Size Score of the Opera in 3 Acts with libretto by the composer based on the 13th Century Chinese drama The Chao Family Orphan.
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| Judith Weir: Chorale for
Steve: Piano:
Instrumental Work
Piano seul
Chester
6.99 GBP - vendu par Musicroom GB
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| Judith Weir: Music For
247 Strings: Violin:
Instrumental Work
Violon et Piano [Partition]
Novello & Co Ltd.
Work for Violin and Piano commissioned with funds from the Greater London Arts a...(+)
Work for Violin and Piano commissioned with funds from the Greater London Arts association.
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| Judith Weir: Sundew:
Violin & Cello:
Instrumental Work
VLC/VLN::Violoncelle, Violon [Partitions]
Chester
Judith Weir's Sundew for Violin and Cello. Score.âThe bog-based Sundew Plan...(+)
Judith Weir's Sundew for Violin and Cello. Score.âThe bog-based Sundew Plant isnât as pleasant as the name suggests. It produces beads of fluid resembling dew but in facta sticky deposit in which visiting insects become trapped. The plant closes in on the insect and digests it for the extra nutrition it needs in an acidic habitat. Each of the 36 bars can be understood as a time-lapse studyof parts of this process. Often one instrument encloses and digests the music of the other. Occasionally one player tries to struggle free; at other times both exist motionless stuck to each other. In the final bars a luckyinsect (the Violin) escapes from the goo and flies off into the ether.â Judith Weir
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| Judith Weir: Psalm 148
(Trombone Part):
Trombone: Part
Chorale SATB
SATB, Cuivre(s) [Trombone Part]
Chester
For SATB Chorus and Trombone. Commissioned to celebrate the 800th Anniversary of...(+)
For SATB Chorus and Trombone. Commissioned to celebrate the 800th Anniversary of the Unversity of Cambridge and first performed on St Cecilia's Day 2009 by The Choir of Gonville & Caius College with Matthew Knight (Trombone).
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| Judith Weir: A Song Of
Departure: Chamber
Ensemble: Part
Piano Quintette: piano, violon, alto,
violoncelle, contre basse [Set de Parties séparées]
Chester
A Song Of Departure. Composed for the Schubert Ensemble?s farewell tour and mode...(+)
A Song Of Departure. Composed for the Schubert Ensemble?s farewell tour and modelled on ?Abschied? from Schubert?s Schwanengesang, this four-minute piece gives each player a brief solo before the work?s close. A light-hearted piece that is ideal for the end of a concert programme or as an encore.
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| Judith Weir: Madrigal:
Men's Voices: Vocal Score
Chorale TTBB
TTBB
Chester
Judith Weir's Madrigal for TTBB choir unaccompanied. This work was commissioned ...(+)
Judith Weir's Madrigal for TTBB choir unaccompanied. This work was commissioned by the BBC Singers in celebration of the sixtieth birthday of Stephen Cleobury. The lyrics are from aSardinian folk tale.
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