Camille Saint-Saens

Réduction pour violoncelle & piano-Authoritative Urtext edition of Camille Saint-Saens' Premier Concerto Op.33 based on the original score. This version for Cello has a Piano reduction of the orchestral material by the composer.

Sonata no.1 in c minor op. 32-At the beginning of the 1870s Camille?Saint-Saëns showed a particular fondness for the Violoncello. He completed his first Cello Sonata in December 1872 immediately after finishing his first Cello Concerto.The sonata is strongly reminiscent of Beethoven not only due to the key of c minor but also predominantly on account of its gripping dramatic art. The exceptional position of this demanding in parts highly virtuosicsonata was quickly recognised by the public and critics and so the work soon found its way into concert repertoire.?Henle's Urtext edition takes all surviving sources into account for the first time ever. PascalRogé and David Geringas kindly provided the markings for the Piano and Cello parts.

Extrait de 'Le Carnaval des animaux'-Camille Saint-Saens' L'Elephant from Carnival Of The Animals. Arranged here by Lucien Garban for Cello (or Double Bass) and Piano.

Since its premiere in 1873 this work has held an important place in the Violoncello repertoire. It is on the one hand a short charming composition; on the other hand equally important is its use in instruction during the first few years of playing. Central here are the articulation of the opening theme and its various repetitions juxtaposed with lyrical passages calling for legato playing.Christine Baur's new scholarly-critical edition is based on a thorough examination of all the sources including Saint-Saëns' later orchestral version. The edition incorporates many articulation alternatives for the soloist which are marked 'ossia' above the solo Cello line in thisversion for Cello and Piano. This important new publication offers cellists not only an Urtext part but also one with bowing and fingering; both parts have a fold-out page so that no page turns are necessary.The first Urtext edition of this important workFold-out page in the solo cello part so no page turns are neededIncludes articulation alternatives as 'ossias'

extrait du Carnaval des animaux-A flowing gliding piece in which Saint-Saens perfectly evokes the elegant and dignified movements of a Swan. Perhaps the best known of his outstanding suite of tone poems Carnival of Animals. This transcription for Cello and Piano accompaniment.

B Minor. Par SAINT-SAENS CAMILLE. L'une des plus belles pièces de la littérature romantique violoncelle - édité et doigts par le célèbre violoncelliste Prof. Maria Kliegel./ Répertoire / Violoncelle et Piano

für Violoncello und Klavier / for Violoncello and Piano-Camille Saint-Saëns Allegro Appassionato Op. 43 for Cello and Piano. Urtext edition score.At the beginning of the 1870s Saint-Saëns displayed a particular partiality for theVioloncello. He composed his first Cello sonata in December 1872 immediately after having completed the first Cello concerto. It was presumably directly after this that he wrote the Allegro Appassionato for Celloand Piano op. 43 that also appeared in a version for Orchestra three years later.We do not know why he wrote the work but it is likely that after having written two weighty works for Cello Saint-Saëns wanted towrite something ?easier? that was also suitable as an encore. In this Henle Urtext edition David Geringas has kindly provided the fingering and bowing for the brilliant Cello part.

Faintaisie-transcription de Giuseppe Gariboldi-La Danse macabre est l?une des ?uvres parmi les plus c?l?bres de Camille Saint-Sa?ns et du r?pertoire symphonique fran?ais en g?n?ral. D?s sa cr?ation le 24 janvier 1875 l??uvre s??tablit durablement comme un incontournable succ?s. Lestranscripteurs-souvent de grands noms-s?emparent bient?t de cette Danse et les versions pour instruments divers se multiplient. C?est ? Giuseppe Gariboldi (1833-1905) fl?tiste virtuose et compositeur d?origine italienne install? ? Paris queDurand demande une multiple transcription de l??uvre r?invent?e par le transcripteur pour fl?te ou cornet ? piston ou violon ou violoncelle et piano. Voici donc ici republi?e cette Fantaisie-transcription- ainsi qu?elle fut originellementsous-titr?e-dans sa version pour violoncelle et piano.

pour violoncelle et piano. ?Musique française? is a series designed for students and teachers as well as professionals. These editions offer masterworks in French music, with performance suggestions and historical and stylistic commentary by noted scholars. The second half of the 19th century saw the growth in popularity of instrumental Romances. These, which one could categorise as morceaux de salon, continued the characteristics of the vocal Romance, which was born in the middle of the Age of Enlightenment and which, at the beginning of the Romantic period, had achieved great success among composers, performers and audience alike.