Trio In C Major Op. 87 - Variations In C Major Woo 28

Arrangeur: Shelley Collins. Par KROMMER FRANZ. Czech violinist Franz Krommer (1759-1831), who composed over 300 works of his own, freely borrowed from Ignace Joseph Pleyel's String Quartet in F Major to create this set of variations for two oboes and English horn. Shelley Collins has made it possible to perform this delightful arrangement in a variety of combinations of flutes: Two C Flutes and Alto Flute, Two Alto Flutes (in G) and Bass Flute, or Three Similar Flutes. Czech violinist Franz Krommer (1759-1831), who composed over 300 works of his own, freely borrowed from Ignace Joseph Pleyel's String Quartet in F Major to create this set of variations for two oboes and English horn. Shelley Collins has made it possible to perform this delightful arrangement in a variety of combinations of flutes: Two C Flutes and Alto Flute, Two Alto Flutes (in G) and Bass Flute, or Three Similar Flutes./ Répertoire / 3 Flûtes Traversières

Trio in C major op. 87 - Variations in C major WoO 28-Both of these works for two oboes and cor anglais which Beethoven composed in the 1790s belong to the lighter genre of serenades and divertimentos. He might have written them in response to a commission or have been inspired bythe prevailing popularity of this delicate combination of instruments.Likewise with the Variations WoO 28 on the famous theme 'La ci darem la mano' by Mozart he made a contribution of his own to the arrangements ofoperatic melodies for wind ensembles that were so popular at the time.This Urtext edition follows the recently published volume in the Beethoven Complete Edition and thus reflects the latest scholarly research onBeethoven.

Even Mozart had to learn how to play the piano. This collection of easy works includes pieces composed by both young Mozart and by his father, for his piano lessons. Including pieces from the volume Notebook for Wolfgang alongside popular pieces by Mozart such as Ah vous dirai-je Maman (variations) and themes from Sonata in A major KV 331 and Sonata in C major KV 545. All pieces can be played with or without pedal. / Piano

Description Beethoven: Complete Variations For Solo Piano This volume contains all 21 sets of Beethoven's solo piano variations, including the popular 'Diabelli Variations' and 'Eroica Variations'. Songlist Arietta [Hand, Colin] Eight Variations On The Romance 'Une Fievre Brulante' Eight Variations On The Song Ich Hab Ein Kleines Huttchen Nur Eight Variations On The Trio 'Tandeln And Scherzen' Fifteen Variations And A Fugue On A Original Theme Eroica Variations Five Variations On Rule Britannia Nine Variations On A March Nine Variations On The Aria 'Quant'e Piu Bello' Seven Variations On God Save The King Seven Variations On The Quartet 'Kind Willst Du Ruhig Schlafen' Six Easy Variations On A Swiss Song Six Easy Variations On An Original Theme Six Variations On An Original Theme Six Variations On An Original Theme F Major Six Variations On The Duet 'Nel Cor Piu Non Mi Sento' Ten Variations On The Duet 'La Stessa, La Stessissima' From The Comic Opera Falstaff Thirteen Variations On The Arietta 'Es War Einmal Ein Alter Mann' Thirty-three Variations On A Waltz By Diabelli Thiry Two Variations On An Original Theme Twelve Variations On The Menuet A La Vigano From The Ballet Le Nozze Disturbate Twelve Variations On The Russian Dance From The Ballet Das Waldmadchen

Compositeur : Schubert, Franz Instrumentation : Piano, 4-hands Editeur Musicologique : Kahl, Willi Couverture Reliée Contenu : Divertissement à la Hongroise g minor op. 54 D 818 Divertissement on a French motif b minor op. 84,1 D 823 Divertissement on a French motif e minor op. 63,1 D 823 Divertissement on a French motif e minor op. 84,2 D 823 Grand funeral March c minor op. 55 D 859 6 Grandes Marches et Trios E flat, g, h, D, E flat, E op. 40 D 819 4 Ländler E flat major, A flat major, C minor, C major D 814 3 Marches Militaires D major, G major, E flat major op. 51 D 733 6 Polonaises D minor, F major, B flat major, D major, A major, E major op. 61 D 824 Grand Duo C major op. post. 140 D 812 Variations on an Original Theme A flat major op. 35 D 813

Piano Duets edited by Michael Aston-Piano Duets: Classical Composers presents varied and accessible repertoire for every duet player. The collection includes attractive new arrangements of orchestral and chamber gems alongside new editions of original works written specifically for Piano duet.You'll find sonata movements by less well-known composers of the period Clementi and J.C.F. Bach as well as Beethoven's complete Sonata in D major one of the few original duet sonatas written by the composer. The volume is concluded with a light and attractive Minuet and Trio by Haydn a colourful Theme and Variations by Mozart and a graceful and flowing arrangement of Schubert'sEntr'acte Music from Rosamunde. Ranging from the intimate to the virtuosic these pieces are ideal for duettists looking for new recital material as well as those beginning to explore the medium.Contents:J. C. F. Bach: Allegro con spirito from Sonata in A majorL. van Beethoven: Sonata in D major Op. 6Muzio Clementi: Allegro maestoso from Sonata in E flat major Op. 3 No. 2Joseph Haydn: Minuet and Trio from Symphony No. 100 'Military'W. A. Mozart: Allegro from Serenade K388Franz Schubert: Entr'acte No. 3 from Rosamunde

There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is 'macaronic' (it presents a verse in English, followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting, the second gives the melody to the tenors and surrounds them with hushed, wordless writing for the other parts, and the third explores a freely canonic relationship between the tenor and soprano lines before carrying the previous verse-endings to a higher, more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse, where the texture of the music attenuates again to four parts, and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence. Francis Pott (b. 1957) began musical life as a chorister at New College, Oxford. He held open music scholarships at Winchester College and at Magdalene College, Cambridge, where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist, Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda's College, Oxford, and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music, University of West London, later leading research across the University's Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in over three dozen countries worldwide, published by four major UK houses and released extensively on CD. Winner of four national composition awards, in 1997 he received first prize in the piano solo section of the S. S. Prokofiev Composing Competition, Moscow. In 2006 and 2011 he was a nominated finalist in the BASCA/BBC Annual Composer Awards. In summer 2012 he was winner of the international composing competition of the Cheltenham Festival, which sought new piano variations on the arioso song Bist du bei mir, well known in the arrangement by J. S. Bach. Francis lives with his wife and two children on the outskirts of Winchester. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. / Choeur Mixte (SATB)