Matériel : Set de Parties séparéesLangue : Deutsch
/ Quatuor A Cordes
SKU: BA.BA04911
ISBN 9790006460410. 33 x 25.7 cm inches. Key: E-flat major, a minor, g minor.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.51487121
UPC: 840126946178. 6.75x9.5x0.299 inches.
After Volumes IV and III of the series with Mozart's complete string quartets appeared as Henle Urtext editions in early 2017 and 2019 respectively, Mozart expert Wolf-Dieter Seiffert now presents Volume II. Included are the “Early Viennese Quartets” from 1773, K. 168-173. Entries in the autograph manuscript by the composer's father Leopold, however, suggest that the ordering of the six works into a unified series of quartets was his doing. In his preface, Wolf-Dieter Seiffert shares brand-new findings on the actual chronology of the genesis of these quartets. Moreover, he succeeds in correcting what in prior editions were occasional inaccuracies in dynamics and articulation, thereby producing a new, assured musical text. With artistic input from the Armida Quartet, Volume II of the String Quartets also sets the benchmark in the Mozart Edition! Contents: String Quartet in F Major, K. 168 String Quartet in A Major, K. 169 String Quartet in C Major, K. 170 String Quartet in E-flat Major, K. 171 String Quartet in B-flat Major, K. 172 String Quartet in D minor, K. 173.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: HL.51484211
ISBN 9790201842110. UPC: 888680601201. 10.25x13 inches.
Contents:String Quartet E flat major op. 127String Quartet B flat major op. 130 - Grand Fugue op. 133String Quartet c sharp minor op. 131String Quartet a minor op. 132String Quartet F major op. 135Anhang: Allegretto für Streichquartett b minor WoO 210Anhang: Streichquartett (Frühfassung des 1. Satzes) c sharp minor op. 131.
SKU: HL.51484212
ISBN 9790201842127. UPC: 888680601195. 10.25x13.0x1.41 inches.
Contents: String Quartet E flat major op. 127 String Quartet B flat major op. 130 - Grand Fugue op. 133 String Quartet c sharp minor op. 131 String Quartet a minor op. 132 String Quartet F major op. 135 Anhang: Allegretto fur Streichquartett b minor WoO 210 Anhang: Streichquartett (Fruhfassung des 1. Satzes) c sharp minor op. 131.
SKU: HL.49045639
ISBN 9781540004796. UPC: 888680710774. 9.5x12.0x0.37 inches.
Chaconne (2016), for string quartet, was commissioned by the Daedalus Quartet to celebrate its 15th anniversary. The commission was supported by New Music USA, made possible by annual program support and/or endowment gifts from Pennsylvania Council on the Arts, Helen F. Whitaker Fund, and Aaron Copland Fund for Music.My music has a substantial history with Daedalus. I composed the Third String Quartet (2008) for them, and subsequently they performed my three string quartets on several occasions and recorded them brilliantly on Bridge Records (Bridge 9352: Music of Fred Lerdahl, vol. 3). Chaconne is in one movement lasting 19 minutes. It is effectively my fourth string quartet. Quartets 1-3 form a unified cycle lasting 70 minutes. When I finished the cycle, I thought I would never write again for the medium; yet I could not resist the opportunity of working again with Daedalus. The issue was how to compose another string quartet unrelated to the earlier cycle. The solution came from my solo cello piece There and Back Again (2010), which was based on a four-bar variation pattern from a 17th-century chaconne. Unlike the asymmetrical phrases and expanding variations of much of my music, the chaconne form requires symmetrical phrases and strictly periodic variations. I wished to work again with these symmetries but on a larger scale. Chaconne also differs in character and expression from the three-quartet cycle. The cycle is inward and intense, a kind of psychological excavation. Chaconne is, for the most part, transparent and playful. Many of its textures emerge from little canons, not completely unlike the rounds that children sing. Any composer who writes in chaconne form (one thinks above all of the last movement of Bach's D minor violin partita and the finale of Brahms's Fourth Symphony) is confronted with the challenge of how to create a larger form out of a constantly repeating pattern.My Chaconne grows from paired antecedent-consequent phrases, each variation lasting eight bars. The 50 variations group into three large rotations, forming three arcs of tension and relaxation, with subtle parallel connections across the rotations. Notwithstanding my attraction to chaconne form, I purposefully disguised its symmetries and periodicities in order to build an overall dramatic shape. Fred Lerdahl.
