Sonatas And Partitas For Violin Solo. Selected Movements. Arranged For Viola Solo E. Strakhov

For Solo Violin-Dr. Lawrence Golan's edition of Bach's masterpieces for solo violin combines the authenticity and accuracy of a Scholarly Urtext Edition with the practicality and helpfulness of a Performing Edition. A facsimile of Bach'sautograph manuscript was used in the preparation of this edition and the composer's intentions have been preserved to the last detail. Of particular note is the fact that all stems have been beamed together as they appear in theautograph manuscript. This is of great importance when making interpretive decisions regarding dotted rhythms. Helpful fingering and bowing suggestions are provided by the editor but are clearly distinguished from Bach's originalnotation allowing the performer the freedom to accept or reject any given suggestion. The volume comes complete with Dr. Golan's essay 'Performing Bach: Dotted Rhythms and Trills in the Sonatas and Partitas for Solo Violin 'which also includes scholarly discussions of vibrato fingerings bowing styles and ritardandos in Baroque music. The inclusion of this comprehensive study of Baroque performance practices makes this edition a must for anyviolinist interested in performing the Bach Sonatas and Partitas in an historically informed manner.

herausgegeben von Fulvio Luciani. Par BACH JOHANN SEBASTIAN. A new critical edition of Bach?s Sonatas and Partitas for solo violin ? possibly the very pinnacle of the whole repertoire for violin ?, by violinist Fulvio Luciani. The edition is based on the autograph and is equipped with an apparatus of critical notes: they indicate problems with the reading of the original source, suggest possible new solutions, alternative to the widely accepted ones, and retrace the history of harmonic perception, as evidenced by the changes the composition went through across all its historical editions. The curator provides indications (clearly distinguishable from the original source) for the performance, the bowings specifically. They are suggestions founded in the observation of the technical apparatus pictured by Bach in his genius: a hand technique closer to a pianist?s than a traditional violinist?s; a mechanism we could call pioneering to this day. / Date parution : 2022-09-20/ Recueil / Violon

OEuvres phares du répertoire pour violon solo, les Sonates et les Partitas de Jean-Sébastien Bach, les Capricci de Nicolò Paganini et les Sonates op. 27 d'Eugène Ysaÿe sont disponibles aux éditions Urtext Henle, mais désormais aussi en Studien-Edition au format très pratique et à un prix avantageux (Paganini: HN 9450, Bach: HN 9356)! Les compositions d'Ysaÿe, truffées d'énormes diffi cultés et très exigeantes d'un point de vue musical sont chacune dédiées à un virtuose du violon de son temps et taillées sur mesure à ses capacités individuelles. Nous présentons le texte musical dans sa 'version de dernière main', laquelle, à bien des endroits, va plus loin que la partition du premier tirage en vente jusqu'à aujourd'hui. / Violon

Style Structure Performance-This book combines a performance guide for violinists an analytical study an exploration of Bach's style and an investigation of musical form and continuity. J.S. Bach's three sonatas and three partitas for solo violin have been mainstays of the violin concert repertoire since the mid-nineteenth century; their long performance history evidenced in recordings as well as in editions offers an opportunity to study the ways in which notions of Baroque style have evolved. Central to the book is the question what type of analysis is best applied to Bach's music: wherever possible Lester draws his analytical tools from eighteenth-century techniques developed for thisrepertoire.

BWV 1001-1006 (original Violin solo)-The aim of this edition is to make Bach’s landmark works for solo violin accessible to viola players by presenting a musical text that remains close to the original but also has a distinctly practical focus. Additionally it provides interpretative guidance on Baroque performance practices and how they can be applied to the viola. In this transcription all pieces have been transposed down by a fifth but no further changes were made.

Without any doubt J.S. Bach?s cycle of the three Sonatas and Partitas BWV 1001-1006 represents one of the pinnacles of classical European music. According to C.P.E. Bach a contemporary voice stated that there was ?nothing more accomplished in order to become a good violinist? than his father?s works. The cycle reflects the entire harmonic and polyphonic musical universe of Bach?s time, so masterfully composed that it can be rendered within the limited framework of but a single instrument the violin.
The new publication of the Sonatas and Partitas BWV 1001-1006 (BA 5256) constitutes a complete revision of our older edition (BA 5116). The musical text has been edited by Peter Wollny and represents the most up-to-date state of research as published in the New Bach Edition Revised (NBArev), volume BA 5937-01. The edition is mainly based on Bach?s unusually clear autograph which is considered among the most beautiful manuscripts by the composer. All relevant secondary sources have been taken into consideration in order to clarify ambiguities. These include five contemporary copies, including one by Anna Magdalena Bach, and four manuscripts from the late 18th and early 19th centuries.
The musical text has been newly engraved with a clear and generous layout, whereby page turns and pagination have been retained from the previous edition. This allows the straightforward navigation between a copy of the previous and this new edition. The detailed Preface (Ger/Eng) provides information on the genesis of the Sonatas and Partitas, their context and the sources.
Sonata 1 g-Moll, BWV 1001
Partita 1 h-Moll, BWV 1002
Sonata 2 a-Moll, BWV 1003
Partita 2 d-Moll, BWV 1004
Sonata 3 C-Dur, BWV 1005
Partita 3 E-dur, BWV 1006 / Partitions classique / Cordes / Violon / BARENREITER

J.S. Bach: Violin Sonatas & Partitas arr. for Treble Recorder Solo by J.C. Veilhan - Volume 2.   Contains 3 Partitas: BWV1002 BWV1004 and BWV1006.

Clarinet Method-This wonderful set of studies presents the solo sonatas partitas and suites of J.S. Bach and G.F. Handel for unaccompanied violin and cello arranged by master teacher H. Voxman. They provide the serious student a wealth of finemusic well-suited to the study of phrasing and articulation and unlimited possibilities in the development of musicianship.

Arranged For Mandolin. This book contains the first three of J. S. Bach's solo violin Sonatas and Partitas arranged for mandolin. The goal of the material is to make learning these challenging pieces easier. Mandolin tablature is included throughout the book. Mandolinists who have little or no experience reading standard notation will find this to be an essential learning tool. For good reason, there has been widespread interest in learning these pieces in the mandolin community. The pieces were originally written for violin. As a result, Bach's use of string crossing patterns and open-string pedals work brilliantly on the mandolin. Also, as solo works they are a useful addition to anyone's performingrepertoire. Lastly, even if never performed, learning all or some of these is wonderful for building mandolin technique. Violinists often say that if you can play the Bach Solo Sonatas and Partitas you can play anything-the same is certainly true for mandolinists. This book contains the first three of J. S. Bach 's solo Violin Sonatas and Partitas arranged for Mandolin. The goal of the material is to make learning these challenging pieces easier. Mandolin tablature isincluded throughout the book. Mandolinists who have little or no experience reading standard notation will find this to be an essential learning tool. For good reason, there has been widespread interest in learning thesepieces in the Mandolin community. The pieces were originally written for Violin. As a result, Bach 's use of string crossing patterns and open-string pedals work brilliantly on the Mandolin. Also, as solo works theyare a useful addition to anyone's performing repertoire. Lastly, even if never performed, learning all or some of these is wonderful for building Mandolin technique. Violinists often say that if you can play the Bach SoloSonatas and Partitas you can play anything-the same is certainly true for Mandolinists./ Recueil / Mandoline