Bach, Johann Sebastian : Choralvorspiele, Heft 1

Par BACH JOHANN SEBASTIAN. Gattungen: choralgebundene Orgelmusik - Reihen bei Carus: Gesamtausgaben -/ Répertoire / Orgue

Par BACH JOHANN SEBASTIAN. Gattungen: choralgebundene Orgelmusik - Reihen bei Carus: Gesamtausgaben -/ Répertoire / Orgue

Par BACH JOHANN SEBASTIAN. Gattungen: choralgebundene Orgelmusik - Reihen bei Carus: Gesamtausgaben -/ Répertoire / Orgue

Par BACH JOHANN SEBASTIAN. Gattungen: choralgebundene Orgelmusik - Reihen bei Carus: Gesamtausgaben -/ Répertoire / Orgue

This volume devised by Martin Weyer contains organ music of easy to medium technical difficulty for use at communion. The broad range of styles encompasses Johann Sebastian Bach and early Classical works through to the late Romantic period.

The album contains original compositions and first publications as well as arrangements for organ and twelve pieces for communion in settings by Johann Sebastian Bach with melodies and texts appropriate to communion. Some of the pieces can also be performed with solo instruments (in C, Bb or F). Corresponding instrumental parts are included with the score.

- Organ music of easy to medium technical difficulty for use at communion
- Broad range of styles
- Includes first publications
- Original compositions and arrangements for organ, some which can be performed with solo instruments. / [Musique pour Communion] / Célébrations / Partition /

Arrangement for Piano-Alongside his Chaconne for Violin the ten Chorale Preludes for Organ are Busoni’s best-known Piano transcriptions of works by J. S. Bach. Whilst Busoni envisaged the Chaconnefor concert performance the Chorale Preludes are transcribed in a 'chamber-music style'. The Preludes in this book are of varying levels of difficulty some are suitable for intermediate level players andothers for the more advanced pianist. This Henle Urtext Edition is Busoni's definitive version with valuable fingering suggestions by Marc-André Hamelin. The appendix contains an eleventh chorale prelude Busoni’s transcription of “Aus tiefer Not” which is published here for the very first time. With regard to performing its six-part setting the composer himself spoke of an“extreme performance limit” – but why not judge for yourself?