Fantasie Brillante

Par . This single-volume compilation features four popular opera fantasies arranged for Violin with Piano accompaniment. Each of these frequently performed pieces was arranged by a world-class artist and offers the convenience of a separate Violin part: Carmen Fantasy from the Opera by Georges Bizet, Op. 25, transcribed by Jenö Hubay. Fantasia on Themes from Gounod's Faust, Op. 20, transcribed by Henri Wieniawski. Fantasie from Mozart's The Magic Flute, Op. 54, transcribed by Pablo Sarasate. Fantasie Brillante on the March and the Romance from Rossini's Otello, Op. 11, by Heinrich Wilhelm Ernst. This collection is ideal for practice, performance, teaching, and independent study bystudents, professional performers, and amateur ensembles. / Date parution : 2023-03-15/ Recueil / Violon et Piano

This collection contains 46 pieces: Ballade No. 1 in G Minor, Berceuse, 3 ecossaises, 5 etudes, Fantaisie-Impromptu, Marche Funèbre from Sonata No. 2, 8 mazurkas, 7 nocturnes, 3 polonaises (including the enormously popular Militaire ), 9 preludes, Scherzo No. 2 in B-flat Minor, and 6 waltzes (including the Minute Waltz ). Content :
Ballade No. 1 in G Minor, Op. 23
Berceuse in D-flat Major, Op. 57
Three Ecossaises, Op. 72, No. 3
1. D Major
2. G Major
3. D-flat Major
Five Etudes
C Minor, Op. 10, No. 12 ( Revolutionary )
E Major, Op. 10, No. 3
G-flat Major, Op. 10, No. 5 ( Black Key )
G-flat Major, Op. 25, No. 9 ( Butterfly )
A-flat Major, Op. 25, No. 1 ( Harp )
Fantasie-Impromptu in C-sharp Minor, Op. 66
Eight Mazurkas
B-flat Major, Op. 7, No. 1
A Minor, Op. 7, No. 2
A Minor, Op. 17, No. 4
B Minor, Op. 33, No. 4
G Minor, Op. 67, No. 2
C Major, Op. 67, No. 3
A Minor, Op. 68, No. 2
F Major, Op. 68, No. 3
Marche Funèbre from Sonata No. 2 in B-flat Minor, Op. 35
Seven Nocturnes
B-flat Minor, Op. 9, No. 1
E-flat Major, Op. 9, No. 2
D-flat Major, Op. 27, No. 2
G Minor, Op. 37, No. 1
C Minor, Op. 48, No. 1
F Minor, Op. 55, No. 1
E Minor, Op. 72, No. 1
Three Polonaises
A Major, Op. 40, No. 1 ( Militaire )
F-sharp Minor, Op. 44
A-flat Major, Op. 53 ( Heroic )
Nine Preludes, Op. 28
No. 1 in C Major
No. 2 in A Minor
No. 4 in E Minor
No. 6 in B Minor
No. 7 in A Major
No. 15 in D-flat Major
No. 20 in C Minor
No. 22 in G Minor
No. 24 in D Minor
Scherzo No. 2 in B-flat Minor, Op. 31
Six Waltzes
E-flat Major, Op. 18 (Grande Valse brillante)
A Minor, Op. 34, No. 2 (Grande Valse brillante)
D-flat Major, Op. 64, No. 1 ( Minute Waltz )
C-sharp Minor, Op. 64, No. 2
A-flat Major, Op. 69, No. 1
E Minor, Op. Posthumous

En 1849, Schumann se tourna vers un nouveau genre: la composition d'oeuvres pour piano accompagné d'un instrument soliste. Inaugurant ce nouveau genre, les Fantasiestücke pour piano et clarinette op. 73 furent immédiatement suivies par l'Adagio et Allegro op. 70. Clara joua la nouvelle oeuvre, ccompagnée du corniste E. Julius Schlitterlau, rapportant ensuite dans son journal: 'L'oeuvre est superbe, d'une grande fraîcheur et passionnée, ainsi que je les aime tant!' Schumann luimême était tout à fait conquis par sa nouvelle composition. Pour impressionner l'éditeur Kistner, Schumann mit en évidence l' 'Allegro brillante', dont la partie de soliste est si virtuose, que l'op. 70 est encore à l'heure actuelle un véritable défi pour chaque corniste. / Cor Et Piano / Partition