Anthology of American Piano Music

Intermediate to Early Advanced Works by 31 Composers-This 212-page collection focuses on the varied styles and ethnic influences found in American Piano music over the last two and a quarter centuries. Historical and biographical background performance notes and suggested realizations of ornaments are provided by Dr. Hinson.

Pour la première fois, Green Day présente une compilation de musique de feuille de sélections de six de leurs albums emblématiques! Contient 19 arrangements pour piano facile avec paroles et symboles d'accord. / Piano

Les fans de collection ont attendu ! Plus de 30 hits DMB arrangés pour piano et voix avec les accords de guitare. / Piano/Vocal/Guitare (PVG)

Littérature modérée à lourdes du romantisme au XXe siècle. A une attention spéciale aux listes répertoire solo des concours de l'école secondaire état différent. Avec des oeuvres de Beethoven, Berstein, Copland, Mozart, chaussure / Cor Et Piano

Anthology of Spanish Song. There has been an urgent need for a large collection of art songs in Spanish for voice studios. Surprisingly, a comprehensive publication on this topic has never existed in the American market. This anthology of 50 songs by 15 composers is sure to become a voice studio staple. The selections include complete song cycles by De Falla, Granados and Obradors. Each song has a historical note about the composer and composition, and there are English translations for study.

A fabulous collection of Rodgers and Hart songs featuring all the classics and favourites you'd expect plus many many more! This bumper compilation of 73 songs ranging from their most popular productions to some never-before published material. Richard Rodgers and Lorenz Hart wrote some 38 professional shows and films between the years of 1919 and 1943 making them one of the most renowned and respected of American songwriting teams. Rodgers wrote the music after the words of Hart creating catchy and infectious melodies to match the witty lyricism and wordplay. Between them the two visionaries created one of the most popular and widely performed songbooks of the Americanstage tradition that has been revisited and redefined over the years by the likes of Ella Fitzgerald Frank Sinatra Rod Stewart and Robbie Williams. This is a real collectors item that includes numerous enjoyable and exciting pieces.

The Lieder Anthology. 65 Songs by 13 Composers. This edition presents 65 diverse songs by major composers of German art song, or lieder, and is the perfect one-volume lieder source for voice students. All the songs are new Vocal Library editions. Historical notes about the relevant history and background of each song are included, as are line-by-line translations for study. A select committee of experienced voice teachers was consulted to choose the most essential and vocally instructive songs in compiling this collection. Composers represented: Beethoven, Brahms, Franz, Gustav Mahler, Alma Mahler, Fanny Hensel, Mendelssohn, Mozart, Schubert, Clara Schumann, Robert Schumann, Strauss, Wolf. Co-editor Dr. Virginia Saya, on the faculty of Loyola Marymount University, is a musicologist with a special interest in lieder. This collection includes the first American edition of Funf Ophelia Lieder by Brahms. 288 pages, sewn binding.

These virtuoso transpositions of themes by Mozart, Verdi, Bellini, and other masters offer unforgettable music for piano. This affordable anthology was published in association with the American Liszt Society.Table of Contents for Piano Transcriptions from French and Italian OperasSarabande and Chaconne from Almira, Concert Arrangement (Handel)[Sarabande und Chaconne aus dem Singspiel Almira]Reminiscences of Don Juan [Don Giovanni] (Mozart)[Réminiscences de Don Juan]Reminiscences of Robert le Diable: Valse Infernale (Meyerbeer)[Réminiscenes de Robert le diable /Valse Infernale]Overture to William Tell (Rossini)[Ouverture de l'Opéra Guillaume Tell]Reminiscences of Lucia di Lammermoor (Donizetti)[Réminiscences de Lucia de Lammermoor/Fantaisie dramatique]Concert Waltz on Two Themes from Lucia and Parisina (Donizetti)[Valse de concert sure deux Motifs de Lucia et Parisina]Grand Concert Fantasy from Sonnambula (Bellini)[Grosse Concert-Fantaisie aus der Oper Sonnambula]Reminiscences of Norma (Bellini)[Réminiscences de Norma/Grande Fantaisie]Concert Paraphrase of Rigoletto (Verdi)[Rigoletto/Oper von Verdi/Concert-Paraphrase]Miserere from Trovatore (Verdi)[Miserere aus Trovatore von Verdi/Concert-Paraphrase]Concert Paraphrase of Ernani (Verdi)[Ernani/Oper von Verdi/Concert-Paraphrase]Waltz from Faust, Concert Paraphrase (Gounod)[Valse de l'Opéra Faust de Gounod/Paraphrase de Concert]Polonaise from Eugene Onegin (Tchaikovsky)[Polonaise aus Tschaikowskys Oper Jewgeny Onegin]

The music of the 'most American' of composers, known the world over. This anthology contains transcriptions of eight of the most beautiful orchestral works by Copland, among them Appalachian Spring Suite and Fanfare for the Common Man. / Piano

50th Anniversary Edition-Love Me Do was the first single to be released by The Beatles on October 5 1962 backed with PS I Love You on EMI?s Parlophone label. Though historically important as the début record by the world?s greatest ever pop group it was by no stretch of the imagination a portent of what was to come reaching only as high as number 17 in the Record Retailer?s Top 50 charts on December 27. When Beatlemania exploded in the US however it became their fourth No. 1 there in May 1964.Curiously the song was recorded by The Beatles on three separate occasions with three different percussionists; firstly on June 6 1962 atan EMI session with original drummer Pete Best; secondly on September 4 with the newly-recruited Ringo Starr; and finally on September 11 with session drummer Andy White.For reasons that have never been fully explained it was the version featuring Ringo that appeared on all UK single releases of Love Me Do up until its original deletion in 1968. The Beatles? 1963 debut album Please Please Me however featured the Andy White recording which became the American hit in 1964 and other worldwide territories.?When re-issued in 1976 EMI (UK) used the White take because the original Ringo master had gone AWOL. The 20th anniversary 12? single in 1982 contained both versions but the ?Ringo version? had to be dubbed from the original single supplied by a Beatles collector and all issues since have come from the same source. The Pete Best version was made available on Anthology 1.Love Me Do was largely a McCartney composition written in the 1958 with Lennon contributing the bridge in 1962. 'Love Me Do was our greatest philosophical song ? said Paul in 1972 possibly tongue in cheek. ?During the recordings all I can remember is being terrified out of my wits and quaking in my boots. I can still hear it on my vocal.'