SKU: HL.14029042
SKU: JK.01057
Isaiah 26:3-4, Psalm 145:8-9, 14-21.
An expressive hymn for mixed chorus (SATB) and organ, with music from Jesu, Joy of Man's Desiring--by Johann Sebastian Bach.Chorale Tune: Johann Sebastian Bach and Johann Schop Arranger: David Len Allen Lyricist: H.R. Palmer Difficulty: Medium / Difficult acc. Performance time: 3:15Reference: Isaiah 26:3-4, Psalm 145:8-9, 14-21.
SKU: CA.314850
ISBN 9790007176143. Key: G major. Language: German. Text: Rist, Johann. Text: Johann Rist.
SKU: CA.333750
ISBN 9790007184940. Key: D major. Language: German. Text: Rist, Johann.
SKU: CA.1402400
ISBN 9790007030629. Key: E flat major. Language: German. Text: Rist, Johann. Text: Johann Rist.
SKU: CA.1404100
ISBN 9790007030704. Language: German. Text: Rist, Johann. Text: Johann Rist.
SKU: CA.333270
ISBN 9790007184513. Key: D major. Language: German. Text: Rist, Johann.
SKU: CA.802300
ISBN 9790007015169. Key: E flat major. Language: German. Text: Rist, Johann. Text: Johann Rist.
SKU: CA.334550
ISBN 9790007185664. Key: D major. Language: German. Text: Rist, Johann.
SKU: CA.619800
ISBN 9790007011529. Key: D minor. Language: German. Text: Gerhardt, Paul. Text: Paul Gerhardt.
SKU: BR.EB-8545
ISBN 9790004178379. 9 x 12 inches.
The Celle court organist Wolfgang Wessnitzer was a paragon of diligence when it came to compiling keyboard pieces. His collection, put together around 1662, is sure to impress the friends of early keyboard music and musicologists alike. It contains over 200 little pieces by Jan Pieterszoon Sweelinck and Heinrich Scheidemann - to name but the most famous composers - and was practically unknown until now. For our first edition, Martin Bocker has selected 32 previously unpublished pieces. The Celler Clavierbuch offers an impressive panorama of the rich and vibrant music that was written for the harpsichord, the spinet, the clavichord, etc. in Northern Germany in the mid 17th century.Works by Heinrich Scheidemann - Wolfgang Wessnitzer - Johann Schop - Johann Loewe von Eisenach - Anonymi.
SKU: BT.DHP-0971104-010
Jacob de Haan was commissioned to write Choral Music a concert band from Dinxperlo (Netherlands). This band gave the work its premiere in 1997 during the World Music Contest in Kerkrade. Choral Music is based on the chorale Sollt ich meinem Gott nicht singen by the seventeenth century German composer Johann Schop. Contrary to the title, Choral Music has nothing in common with a traditional choral arrangement. This contrasting work has a flashing beginning and only much later following on several thematic changes does Jacob de Haan allow the chorale melody to develop into its original form. Following this episode the chorale becomes a toccata developing into a whirlwind finish.
SKU: BT.WHMKA003B
Har Hånd Du Lagt På Herrens.
SKU: GI.G-2843
UPC: 785147284307.
SKU: CA.309340
ISBN 9790007150372. Language: German. Text: Gerhardt, Paul. Text: Paul Gerhardt.
SKU: CA.624600
ISBN 9790007011963.
SKU: CA.2705305
ISBN 9790007113520. Key: A major. Language: Latin.
Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score available separately - see item CA.2705300.
SKU: CA.2705314
ISBN 9790007199593. Key: A major. Language: Latin.
Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.
